Colette Mourey

Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...

Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...

Core 'ngrato, composed in 1911 by Salvatore Cardillo to a text by Riccardo Cordiferro, is one of the great jewels of the Neapolitan repertoire. This passionate romance depicts the pain of a betrayed l...