Colin Matthews
Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Ba...
Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Ba...
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The second, third and fifth of these studies were composed in 1974, the other two a year later. The fifth in particular reflects my interest at that time in minimalism, but all are relatively simple i...
The second, third and fifth of these studies were composed in 1974, the other two a year later. The fifth in particular reflects my interest at that time in minimalism, but all are relatively simple i...
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- Piano, Vocal & Guitar
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In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...
In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...
- Violin, Viola, Cello and Piano
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In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...
In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...
- Violin, Viola, Cello and Piano
- Piano Score and Part(s)
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Triptych was commissioned by the Schubert Ensemble and first performed by them in the Wigmore Hall in May 1984. It is a single movement, lasting 6 ½ minutes, whose title derives both from the three se...
Triptych was commissioned by the Schubert Ensemble and first performed by them in the Wigmore Hall in May 1984. It is a single movement, lasting 6 ½ minutes, whose title derives both from the three se...
- Piano, Violin, Viola, Cello and Double Bass
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- String Quartet (2 Violins, Viola and Cello)
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I. Sostenuto - II. Pesante - III. Allegro assai - IV. Vigoroso - V. Molto sostenuto When I composed by Second String Quartet in 1985 I intended to have two movements, of which the second was a slow mo...
I. Sostenuto - II. Pesante - III. Allegro assai - IV. Vigoroso - V. Molto sostenuto When I composed by Second String Quartet in 1985 I intended to have two movements, of which the second was a slow mo...
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‘A superb, ambitious new quartet from Matthews, numerically his first but so confident one finds it hard to believe that.' The Guardian (Edward Greenfield), 9 June 1980
‘A superb, ambitious new quartet from Matthews, numerically his first but so confident one finds it hard to believe that.' The Guardian (Edward Greenfield), 9 June 1980
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comissioned by the Fine Arts Brass Ensemble
comissioned by the Fine Arts Brass Ensemble
- 5 Brass Instruments
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Instrumentation: afl(=picc).ob.Ebcl(=bcl).bsn.hn Each of these short pieces features one of the players, not so much as a concertante soloist as the most prominent amongst equals and at the same time...
Instrumentation: afl(=picc).ob.Ebcl(=bcl).bsn.hn Each of these short pieces features one of the players, not so much as a concertante soloist as the most prominent amongst equals and at the same time...
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The rules of A Musical Dice Game – first published in 1793 and ascribed to Mozart as K. 516f (with more than a little likelihood of authenticity) – allow for the throw of the dice to determine the ord...
The rules of A Musical Dice Game – first published in 1793 and ascribed to Mozart as K. 516f (with more than a little likelihood of authenticity) – allow for the throw of the dice to determine the ord...
- Flute, Oboe, Clarinet, Bass Clarinet, Bassoon and Horn
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- Viola and Piano
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- Flute
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Colin Matthews’ searching setting of Paul Auster received its first performance at Sadlers Wells in 1990 from bass-baritone David Mattinson and pianist Malcolm Martineau. This ruminative 4-minute song...
Colin Matthews’ searching setting of Paul Auster received its first performance at Sadlers Wells in 1990 from bass-baritone David Mattinson and pianist Malcolm Martineau. This ruminative 4-minute song...
- High Voice and Piano
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This setting of a poem by Thomas Traherne (1637-74) was composed between August 1978 and May 1979 as a sixty-ninth birthday present for Peter Pears, who, with Steuart Bedford, gave the first performan...
This setting of a poem by Thomas Traherne (1637-74) was composed between August 1978 and May 1979 as a sixty-ninth birthday present for Peter Pears, who, with Steuart Bedford, gave the first performan...
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Instrumentation: perc(1): tam-t/susp.cym - strings
Instrumentation: perc(1): tam-t/susp.cym - strings
- Choir and Orchestra
- Piano Reduction
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Studienpartitur - Orchestriert von David und Colin Matthews m - Stimmlage: mittel
Studienpartitur - Orchestriert von David und Colin Matthews m - Stimmlage: mittel
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- Colin Matthews David Matthews
- Universal Edition
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Instrumentation: 2.2.Ebcl.1.bcl.2.cbsn - 4231 - timp - perc(3): 2 BD/4 tom-t/bongos/tam-t/susp.cym/siz.cym/tgl/tamb/lujon/log drum/2 c.bells/ratchet/sleigh bells/sandpaper block/guiro/vib/glsp - harp...
Instrumentation: 2.2.Ebcl.1.bcl.2.cbsn - 4231 - timp - perc(3): 2 BD/4 tom-t/bongos/tam-t/susp.cym/siz.cym/tgl/tamb/lujon/log drum/2 c.bells/ratchet/sleigh bells/sandpaper block/guiro/vib/glsp - harp...
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Instrumentation: picc.2.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(2/3): BD/hi-hat/cyms/2 susp.cym/2 anvil/4 tom-t/tgl/tamb/(vibraslap)/vib/2 tam-t/(flexatone)/ratchet or guiro/glsp/siz.cym - pno - harp -...
Instrumentation: picc.2.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(2/3): BD/hi-hat/cyms/2 susp.cym/2 anvil/4 tom-t/tgl/tamb/(vibraslap)/vib/2 tam-t/(flexatone)/ratchet or guiro/glsp/siz.cym - pno - harp -...
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Instrumentation: 2.2.2.bcl.2 - 4230 - timp - perc(1): tgl/susp.cym/cyms/BD - strings I orchestrated about half of Beethoven's 'Rule Britannia' Piano Variations in 1980 for Carl Davis' score for the 19...
Instrumentation: 2.2.2.bcl.2 - 4230 - timp - perc(1): tgl/susp.cym/cyms/BD - strings I orchestrated about half of Beethoven's 'Rule Britannia' Piano Variations in 1980 for Carl Davis' score for the 19...
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Instrumentation: 2(=picc).afl.2.ca.Ebcl.2.bcl.cbcl.2.cbsn - 6431 - timp- perc(4): 3 BD(one with foot ped)/2 TD/12 tom-t/3 tam-t/3 susp.cym/2 siz.cym/2 hi-hat/tamb/log drum/guiro/ratchet/1 or 2 fishing...
Instrumentation: 2(=picc).afl.2.ca.Ebcl.2.bcl.cbcl.2.cbsn - 6431 - timp- perc(4): 3 BD(one with foot ped)/2 TD/12 tom-t/3 tam-t/3 susp.cym/2 siz.cym/2 hi-hat/tamb/log drum/guiro/ratchet/1 or 2 fishing...
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Instrumentation: 1.afl.2.1.bcl.2 - 2100 - perc(1): vib/glsp/t.bells/2 tam-t - cel - harp - strings (ideally 10.8.6.6.4) Chiaroscuro, the play of light and shade in painting or drawing, isn’t a term th...
Instrumentation: 1.afl.2.1.bcl.2 - 2100 - perc(1): vib/glsp/t.bells/2 tam-t - cel - harp - strings (ideally 10.8.6.6.4) Chiaroscuro, the play of light and shade in painting or drawing, isn’t a term th...
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Instrumentation: 1(=picc).ca(=ob).2.bcl.1 - 1100 - perc(1): glsp/susp.cym/vib/2 gong/tam-t - strings (2.2.2.2.1 or 4.4.4.4.1)
Instrumentation: 1(=picc).ca(=ob).2.bcl.1 - 1100 - perc(1): glsp/susp.cym/vib/2 gong/tam-t - strings (2.2.2.2.1 or 4.4.4.4.1)
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Instrumentation: picc.2.2.ca.3(II=Ebcl.III=bcl).2.cbsn - 4331 - timp -perc(4): crot/metal chimes/lujon/5 tuned gong/glsp/bell tree/sleigh bells/2 siz.cym/handbells/2 springcoils/2 brake drum/vib/susp....
Instrumentation: picc.2.2.ca.3(II=Ebcl.III=bcl).2.cbsn - 4331 - timp -perc(4): crot/metal chimes/lujon/5 tuned gong/glsp/bell tree/sleigh bells/2 siz.cym/handbells/2 springcoils/2 brake drum/vib/susp....
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