Cynthia Dobrinski

The Brass packet contains parts for Trumpets 1 & 2, Trombones 1 & 2, French Horn, Tuba and Timpani.

Originally commissioned for performance in Christmas Serenade '95 with the San Antonio, Texas symphony, this piece is true to the text's intent. After a bright opening the music slows to a more leisur...

This lovely English carol contrasts passages of marts and staccatos with full, rung sections of the melody. A more free section uses the LV technique for a warmer tone but soon returns to tempo I and...

In this well conceived 3-5 octave setting, arranger Cynthia Dobrinski has utilized two well-known hymns, WHAT A FRIEND WE HAVE IN JESUS and I'VE FOUND A FRIEND, O SUCH A FRIEND. You'll find this rendi...

With an explosion of energy from beginning to end, composer Cynthia Dobrinski has set in motion a truly glorious piece. The 3-5 octave original composition entitled GLORIOUS TRIUMPH would make a dynam...

In your search for a festive Easter selection do not pass up this one. Using full-bodied chords, stopped sound techniques, triplets and moving bass, Cynthia Dobrinski captures the essence of Eastertid...

For 3-5 octaves of handbells with optional narration, Cynthia Dobrinski offers here a most fitting setting of the Trinitarian Hymn which is the most favorite for the opening of Worship. Nicaea is the...

The Christmas carol Away In A Manger is associated with two different tunes, both of which are used by arranger, Cynthia Dobrinski in her skillful setting for 3-6 octaves of handbells. The arrangement...

With 3-5 octaves of bells, Cynthia Dobrinski has captured the charm of the traditional German carol, Ihr Kinderlein Kommet. This energetic and sparkling setting includes a variety of stopped sounds in...

You can't have a Christmas concert without the 'bring us some figgy pudding' song, and no one has done a more clever setting of We Wish You A Merry Christmas than Cynthia Dobrinski. With the use of ju...

Composer Cynthia Dobrinski takes inspiration for this original composition from I John 5:4 and Hebrews 12:2 (the faith chapter). The introduction, like faith, begins small and then grows. The melody i...

The beginning section of this arrangement on LAUDA ANIMA is straightforward, chordal ringing. The next section is in 6/8 and requires a lilting feel and abounds in staccato technique. The following se...

The lilting Christmas tune by W. H. Neidlinger is here set in Dobrinski's familiar flare and good, solid bell writing. The optional flute part adds a soft charm to the mostly flowing texture, which us...

The traditional Welsh melody is here set in energetic fashion. After some sections of basically chordal ringing a section of marts and plucks appears to add to the lilting mood of the entire work. Som...

The popular praise-song with the text, 'Oh let the Son of God enfold you, with His Spirit and His love. ' is the material for this contemporary setting for bells. An optional flute appears on the melo...

Commissioned for a 150th anniversary of a church, this setting of MIT FREUDEN ZART has a lot of energy, bouncy rhythms, interesting harmonies and the usual Dobrinski touch with bells. Meter changes, b...

A straightforward setting of the hymn begins this work followed by a section of mallets and marts, a section of LV harmonies and then a return to expanded beginning material. One hundred and thirty-th...

Combine arranger Dobrinski and Beethoven's Ode to Joy and you have a triumphal setting that combines several instrument groups and even a choral descant. Useful in any joyful occasion but especially E...

Combine arranger Dobrinski and Beethoven's Ode to Joy and you have a triumphal setting that combines several instrument groups and even a choral descant. Useful in any joyful occasion but especially E...

Combine arranger Dobrinski and Beethoven's Ode to Joy and you have a triumphal setting that combines several instrument groups and even a choral descant. Useful in any joyful occasion but especially E...

Cynthia Dobrinski's well-known style fills up every note of this arrangement with techniques, varying styles of accompaniment and texture, shifts of tempo and mood while keeping all the ringers busy!...