Eberhard Kraus

By repeating the complete text, the through-composed motet is divided into two parts, preceded by an instrumental prelude and followed by a coda ("Alleluia").

Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...

Mozart's mass settings have always been an integral part of church music practice. Like few other settings of the Ordinary, they combine high artistic perfection and beauty of sound with the requireme...

I. Op. 30 Nr. 3 - II. Op. 53 Nr. 4 - III. Op. 53 Nr. 5

I. Op. 30 Nr. 3 - II. Op. 53 Nr. 4 - III. Op. 53 Nr. 5