Edgar Cosma

A youthful effort, this Sonatine is evidence of the love of the composer for the horn, his 'second' instrument at the Conservatory, and of the influence on him of the rhythms and modes of the folk mus...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

A youthful effort, this Sonatine is evidence of the love of the composer for the horn, his 'second' instrument at the Conservatory, and of the influence on him of the rhythms and modes of the folk mus...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

Trompete und Klavier Robert Planel : Jeux de tierces Jean-Paul Holstein : Trompette-rock Daniel Tosi : Étude en balançoire François Vercken : Pour Anaïs Gérard Calvi : Scherzo

Trompete und Klavier