Eduard Pütz
In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.
In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.
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In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.
In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music.
- String Quartet
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- Recorder and Guitar
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Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
- Viola and Piano
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- Wolfgang Birtel
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The Sonata for Viola and Piano (1984) is not based - as is common in the 'classical' sonata form - on the dualism of two opposing themes. The dialectics are in the juxtaposition of two homogenous move...
The Sonata for Viola and Piano (1984) is not based - as is common in the 'classical' sonata form - on the dualism of two opposing themes. The dialectics are in the juxtaposition of two homogenous move...
- Viola and Piano
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With his 'Meditations', the composer Eduard Pütz (1911-2000) from Cologne made an important contribution to 20th-century guitar chamber music. Both parts are treated equally, holding a dialogue in a m...
With his 'Meditations', the composer Eduard Pütz (1911-2000) from Cologne made an important contribution to 20th-century guitar chamber music. Both parts are treated equally, holding a dialogue in a m...
- Viola and Guitar
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Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...
- Cello and Piano
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Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
- Cello and Piano
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- Wolfgang Birtel
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- Cello and Piano
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- Cello and Piano
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- Cello and Piano
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10 leichte Stücke für junge Cellisten (1.-4. Lage), motivierend durch phantasievolle Titel und Einbezug von Jazz- und Popelementen. Eduard Pütz (1911-2000) studierte Komposition an der Kölner Musikhoc...
10 leichte Stücke für junge Cellisten (1.-4. Lage), motivierend durch phantasievolle Titel und Einbezug von Jazz- und Popelementen. Eduard Pütz (1911-2000) studierte Komposition an der Kölner Musikhoc...
- Cello and Piano
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The edition is part of the Trinity syllabus 2007 (grade 6)
- Flute and Piano
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The edition is part of the Trinity syllabus 2007 (grade 6)
- Flute and Piano
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Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
- Horn and Piano
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Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
- Clarinet and Piano
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- Wolfgang Birtel
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für Oboe und Klavier
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Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911-2000). His compositions therefore include stylistic features of jazz and pop musi...
- Violin and Piano
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- Violin and Piano
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In his 'Poèmes', the composer Eduard Pütz (19011-2000) from Cologne bases his compositions on texts by Shakespeare, Petrarca, Mayakovsky, Heine and Verlaine. Great evocative music based on impressive...
In his 'Poèmes', the composer Eduard Pütz (19011-2000) from Cologne bases his compositions on texts by Shakespeare, Petrarca, Mayakovsky, Heine and Verlaine. Great evocative music based on impressive...
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Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...
Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...
- Choir, Flute, Oboe, Bassoon, 2 Horns, Harpsichord and Strings
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The composer Eduard Pütz (1911-2000) from Cologne was influenced by the composition technique of Hindemith and Stravinsky, yet he also admired Messiaen and valued the music of Karlheinz Stockhausen. A...
The composer Eduard Pütz (1911-2000) from Cologne was influenced by the composition technique of Hindemith and Stravinsky, yet he also admired Messiaen and valued the music of Karlheinz Stockhausen. A...
- Piano 4 Hands
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- 7 Cellos
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- Piano
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Eduard Pütz was inspired to write this piano piece by the poem 'Hälfte des Lebens' by Friedrich Hölderlin. In this composition, the two thoughts of the fullness of life (youth) and the expectation of...
Eduard Pütz was inspired to write this piano piece by the poem 'Hälfte des Lebens' by Friedrich Hölderlin. In this composition, the two thoughts of the fullness of life (youth) and the expectation of...
- Piano
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