Edward Elgar

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

Edward Elgar zählt neben Henry Purcell zu den bedeutendsten britischen Komponisten. Er gilt zu Recht als Begründer eines modernen englischen Nationalstils - sein differenzierter, in der spätromantisch...

1914 veröffentlicht Edward Elgar das Stück The Fountain als Teil seines Opus 71. Der aus den englischen West Midlands stammende Komponist, welcher der Nachwelt insbesondere wegen seiner unvergessenen...

Unaccompanied poetry settings from the period 1890-1891, for SATB with divisions. Includes piano part for rehearsal purposes.

SATB with divisions. Includes piano part for rehearsal purposes.

Includes piano part for rehearsal purposes.

Four-part song from the cantata 'King Olaf'. Words by Longfellow. Piano accompaniment for rehearsal use only.

The Shower is scored for unaccompanied SATB, the setting of a poem by Henry Vaughan. A piano part is included for rehearsal purpose only.

This is the Vocal Score for Edward Elgar 's Owls, Op. 53 No. 4, for Unaccompanied SATB Choir.

The Prince of Sleep, to words by Walter de la Mare is a languid setting, capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especiallywoodland) a...

A setting of Cardinal Newman's text, for SATB Choir a cappella.

An arrangement of There Is Sweet Music with words from Alfred Lord Tennyson, for double SATB choir a capella.

For SAATTB Choir A Cappella.

Elgar's Angelus arranged for unaccompanied mixed voices, SATB. A piano part is provided for rehearsal purpose only.

Written for unaccompanied SATB choir. Adapted from the Russian of Maikov by Rosa Newmarch. Opus 72.

Written for unaccompanied TTBB choir. Text from an anonymous Greek anthology. Op 45, No. 2.

Accompaniment: Plovdiv Philharmonic Orchestra - Sir Edward Elgar's magnificent Concerto for Violoncello and Orchestra was a very personal one for the composer and a tremendous success when it first ap...

Elgar's setting (for unison voice and piano) of a poem by Alfred Noyes.

Version for 2-part choir and Piano.

Edward Elgar (1857-1934) began work on The Music Makers, Op. 69, a work for solo contralto, mixed chorus, and orchestra, in 1903 and completing it in 1912. It sets the entirety of Ode by Arthur O'Shau...

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.