Edward Elgar

Minuet, Op. 21 was composed by Edward Elgar (1857-1934) in 1897 for piano, then orchestrated later that same year. This work falls just before the period of his breakthrough to international fame with...

In the South (Alassio), Op. 50 was composed by Edward Elgar (1857-1934) in 1903-1904, during the height of his international success after the Engima Variations and The Dream of Gerontius, following a...

A paper-bound full score of Elgar's arguably most famous work, Op. 36. This volume contains an informative introduction and an appendix with Elgar's original ending. A scholarly edition for conductors...

A paper-bound full score of two of Elgar's slightly less well-known symphonic works, recommended for study. This affordable volume brings you the authority of the scholarly Elgar Complete Edition in a...

Elgar published the Chanson de Matin and its partner, Chanson de Nuit at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally creat...

The Chanson de Nuit was originally entitled Evensong, though it is difficult to discern any religiosity in the work. And although published in 1897, scholars suggest that these works may have been wri...

Scored for: 1. 1. 2. 1/2(1asax)(1tsax). 2. 3. 0/timp/str

Salut d'Amor (Love's Greeting; Liebesgruß), Op. 12 was composed in 1888 by Edward Elgar (1857-1934) as an engagement gift for his future wife, Caroline Alice Roberts. Originally written for violin and...

Minuet, Op. 21 was composed by Edward Elgar (1857-1934) in 1897 for piano, then orchestrated later that same year. This work falls just before the period of his breakthrough to international fame with...

In the South (Alassio), Op. 50 was composed by Edward Elgar (1857-1934) in 1903-1904, during the height of his international success after the Engima Variations and The Dream of Gerontius, following a...

Elgar dedicated his first Pomp and Circumstance march, written in 1901, "to my friend Alfred E. Rodewald and the members of the Liverpool Orchestral Society". Often performed in graduation ceremonies...

Elgar's Opus 36 is a set of variations orginally for Orchestra, and arranged for Two Pianos by W. McNaught.

Elgar bridged the nineteenth and twentieth century with his fine compositions. This composition is arranged for voice and piano.

Like To The Damask Rose, written by Edward Elgar with German words by Edward Sachs and English words by Simon Wastell, arranged for voice and piano in the key of G Minor.

Like To The Damask Rose, written by Edward Elgar with German words by Edward Sachs and English words by Simon Wastell, arranged for voice and piano in the key of Bb Minor.