Enjott Schneider

In Enjott Schneider's 'Rondo oscuro', an eye-twinkling naive rondo theme leads to more complex intermediate parts in which the soloist is faced with a flute ensemble demanding various degrees of rhyth...

'Circle of Life' was commissioned for the International Piano Competition of the Wiesbaden Music Academy. At its centre is a Toccata which can also be played separately. In contrast, with regard to it...

Enjott Schneider's composition for cor anglais, bassoon and strings was created in the form of a musical epitaph on the occasion of the 125th anniversary of the death of the Bavarian King Ludwig II sh...

Schneider composed Cornissimo for the 225th anniversary of the internationally known company Gebr. Alexander in Mainz who have specialised in the making of brass instruments. Accordingly, the world pr...

As a counterpart to the Organ Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve...

With his organ symphonies, the composer Enjott Schneider (born 1950) from Munich has been a profound sensation in recent years and seen world premieres at major European organ events. The Organ Sympho...

In this trio, the composer Enjott Schneider again displays his inventiveness which is of course pushed to its limits due to the reference to the famous character Karl Valentin from Munich. By using mu...

Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in...

In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left...

One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And th...

With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemp...

Enjott Schneider in dialogue with Mozart: Even the instrumentation of the nine-minute Mozart-Mantras alludes to Mozart, a co-inventor of the genre of clarinet quintet. With regard to motif, they are b...

The association of the twelfth Organ Symphony with Pentecost began with the Regensburg Cathedral organist Franz Josef Stoiber giving its first performance on the 2009 Rieger organ immediately in front...