Eric Whitacre

Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time...

A new arrangement of the Whitacre classic created during the COVID-19 pandemic as part of The Creative Repertoire Initiative. Arranged with maximum flexibility in mind, the work can be performed by an...

An adaptable arrangement of Whitacre's Sing Gently arranged by Verena Mösenbichler-Bryant during the COVID-19 pandemic. An audio track that can be used to replace the piano part in performance is incl...

An adaptable arrangement of Whitacre's Sing Gently arranged by Verena Mösenbichler-Bryant during the COVID-19 pandemic. An audio track that can be used to replace the piano part in performance is incl...

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most not...

The composer writes: Seeing the Hubble Deep Space Field for the first time is an experience much like listening to a powerful piece of music - it elicits feelings of wonder and awe that can be difficu...

Eric Whitacre's famous work for concert band, now with optional vocal parts! An original work best described in the composer's own words as being really out there. The writing reflects a keen interest...

This loving and dreamlike work, now available in multiple voicings including SA, TB & SAB, captures the undulating rhythm of a mother rocking her child to sleep. The text is a classic by Rudyard Kipli...

This languorous setting of the E. E. Cummings text features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditati...

Note from the composer: 'I cam across David Miller's arrangement of October on YouTube a couple of years ago. As soon as I heard it, I knew we should make this available for more ensembles. Thank you,...

The Stolen Child was a joint commission by the National Youth Choir of Great Britain and The King's Singers to celebrate their 25th and 40th anniversaries, respectively. They asked me to write a piece...

Arranged for Soprano voice, Violin and Piano. Note from the composer: In the spring of 1996, my great friend and brilliant violinist Friedemann Eichhorn invited me and my girlfriend-at-the-time Hila...

Come thou Wisdom, Gift of Winter - Composed for the Choirs of Birmingham-Southern College Service of Lessons and Carols, this meditative advent work for SATB divisi voices and organ with a Latin text...