Erik Satie Sheet Music
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Tuba and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Brass Instrument
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Brass Instrument
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Tuba in Eb and Piano
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
- Tuba in Eb and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Tuba and Piano
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Tuba and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Brass Instrument
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Brass Instrument
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Tuba in Eb and Piano
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
- Tuba in Eb and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Tuba and Piano
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Tuba and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Brass Instrument
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Brass Instrument
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Tuba in Eb and Piano
- Piano Score and Part(s)
- Colette Mourey
- Editions Marc Reift
-
-
ships within 1-2 weeks
- Also available for download!
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Tuba in Eb and Piano
- Piano Score and Part(s) Download
- Colette Mourey
- Editions Marc Reift
-
-
immediately available
Download immediately after ordering - Instant download
This short melodious piece by the French composer Eric Satie are ideally suited for the sound of the recorder and will bring delight to both performers and audiences. Comes with full score and three o...
This short melodious piece by the French composer Eric Satie are ideally suited for the sound of the recorder and will bring delight to both performers and audiences. Comes with full score and three o...
- Recorder Trio (SAT)
- Score and Parts
- Jane Gannaway
- Mimram Music
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ships within 3-6 working days
Erik Satie, the king of French salon music, wrote this short work inspired by London's street Piccadilly. 3 + contra.
Erik Satie, the king of French salon music, wrote this short work inspired by London's street Piccadilly. 3 + contra.
- 3 Bassoons and Counter Bassoon
- Score and Parts
- David Whitehouse
- Camden Music
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in stock
ships within 1-2 working days
Piano Trio (opt. Parts for 2nd Violin, Bass, Flute and Clarinet) (Romantic)
- Violin, Cello and Piano
- Sheet Music
- Uwe Rössler
- Musikverlag Uetz
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ships within 4-8 working days
- String Quartet
- Score and Parts
- Darius Milhaud Joseph Diermaier
- Universal Edition
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in stock
ships within 1-2 working days
- Harp
- Sheet Music
- International Music Diffusion
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in stock
ships within 1-2 working days - With slight signs of use
- Violin and Piano
- Piano Reduction
- Benjamin-Gunnar Cohrs
- Doblinger Musikverlag
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in stock
ships within 1-2 working days
- Violin and Piano
- Sheet Music
- Eric Vireton
- Flex Editions
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in stock
ships within 1-2 working days
This collection of the most beautiful songs by Erik Satie is part of 'Musique vocale française', a series designed for students, teachers and professional singers which includes the best French vocal...
This collection of the most beautiful songs by Erik Satie is part of 'Musique vocale française', a series designed for students, teachers and professional singers which includes the best French vocal...
- High Voice and Piano
- Piano Score
- Editions Salabert
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in stock
ships within 1-2 working days
Erik Satie
Éric Alfred Leslie Satie (b. May 17, 1866 in Honfleur, † July 1, 1925 in Paris), or Erik Satie for short, was a French composer who – in the wake of late Romanticism, the Impressionism that surrounded him, and the flare-up of Expressionism – knew how to remain true to himself and his view of music, creating and maintaining his own unique style.
Erik Satie could be called the satirist among turn-of-the-century composers. His pieces are short, straightforward, and downright minimalist, only to have playing instructions and headings that are all the longer and veer into the Dadaist. Here Satie is possibly satirizing the fashion, burgeoning at the time, of giving performers, instead of conventional instructions such as "Adagio" or "Allegro moderato," more detailed instructions such as "Andante très expressif" and "morendo jusq'à la fin" ("Very expressive andante" and "Morendo to the end", from Clair de lune by C. Debussy) or "Mouvement de Valse très modéré" ("Very moderate waltz movement" from Ma mère l'oye No. IV by M. Ravel) to hand. In Satie's case, playing instructions then sound like this: "Conseillez-vous soigneusement" ("Consult carefully"), "De manière à obtenir un creux" ("To obtain a hollow") or "Dans une saine supériorité" ("In healthy superiority", all from Gnossienne). Satie's 7th dance from Danses Gothique is headed: "Par pitié pour les ivrognes, honteux, débauchés, imparfaits, désagréables et faussaires en tous genres", which can be translated, mutatis mutandis, as "Out of pity for the drunkards, ashamed, dissolute, imperfect, disagreeable and fakers of all kinds".
But there are also non-ironic compositions in Satie's oeuvre. In addition to his piano works, Satie produced three ballet scores and the symphonic drama Socrate, as well as the mass Messe des pauvres ("Poor People's Mass"), furthermore a piece for violin and piano entitled Choses vues à Droite et à Gauche - sans lunettes ("Seen right and left - without glasses"), furthermore some vocal works/songs.
You can search specifically for titles by Erik Satie in our online store. For example, if you are interested in an unedited version of his Gymnopédies, please search for it in the spelling satie gymnopedies urtext. If, on the other hand, you would like to see all the arrangements of this composition, please search only for satie gymnopedies and please filter the list of results according to your needs.