Erik Somers

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

Complete transcription by Erik Somers of Tolga Kashif's masterpiece The Queen Symphony.

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...

In the Love Scene from Hero and Leander the oboe and bassoon introduce the Love Theme. The lovemaking begins softly, but sensually, as the theme expands, it is taken up as a give-and-take dialogue by...