Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...
Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...
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Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...
Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...
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- Gerhart Drijvers
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In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
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- Dietmar Rainer
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In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
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- Dietmar Rainer
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In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
- Concert Band, Soloists (SS) and Mixed Choir (SATB)
- Score
- Dietmar Rainer
- Baton Music
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ships within 1-2 weeks
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In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...
- Concert Band, Soloists (SS) and Mixed Choir (SATB)
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- Dietmar Rainer
- Baton Music
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About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
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- Martin Kirchharz
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About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
About Mendelssohn's oratorio 'Elias' The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most ski...
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Das Andante Religioso ist der langsame Teil der vierten von sechs Orgelsonaten, die der Komponist und Pianist Mendelssohn Bartholdy zwei Jahre vor seinem Tod komponierte. Die authentische Blasorcheste...
Das Andante Religioso ist der langsame Teil der vierten von sechs Orgelsonaten, die der Komponist und Pianist Mendelssohn Bartholdy zwei Jahre vor seinem Tod komponierte. Die authentische Blasorcheste...
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- Rolf Amstad
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This excellent arrangement by Robert van Beringen is of the well-known German chorale Wachet auf, ruft uns die Stimme, taken from the oratorio Paulus (St. Paul) by Felix Mendelssohn Bartholdy (1809-18...
This excellent arrangement by Robert van Beringen is of the well-known German chorale Wachet auf, ruft uns die Stimme, taken from the oratorio Paulus (St. Paul) by Felix Mendelssohn Bartholdy (1809-18...
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- Robert van Beringen
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- Jérôme Naulais
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Respectfully and tastefully scored for contemporary bands, master writer Albert Davis presents two movements from Mendelssohn's beautiful oratorio, ELIJAH. Reverential and subtle, this is great concer...
Respectfully and tastefully scored for contemporary bands, master writer Albert Davis presents two movements from Mendelssohn's beautiful oratorio, ELIJAH. Reverential and subtle, this is great concer...
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- Albert O. Davis
- Ludwig Music Publishing Company
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Respectfully and tastefully scored for contemporary bands, master writer Albert Davis presents two movements from Mendelssohn's beautiful oratorio, ELIJAH. Reverential and subtle, this is great concer...
Respectfully and tastefully scored for contemporary bands, master writer Albert Davis presents two movements from Mendelssohn's beautiful oratorio, ELIJAH. Reverential and subtle, this is great concer...
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- Albert O. Davis
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Zwei kurze choralartige Stücke die besonders für Kirchenkonzerte geeignet sind.
Zwei kurze choralartige Stücke die besonders für Kirchenkonzerte geeignet sind.
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- Albert Loritz
- Musikverlag Rundel
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- 11 Brass Instruments and 2 Percussion
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- Thierry Caens
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- Thierry Caens
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The new Carus edition of this sonorous work, characterized by the Italian style, contains for the first time the Choral Fugue No. 6, which can be found in Mendelssohn's autograph and was also performe...
The new Carus edition of this sonorous work, characterized by the Italian style, contains for the first time the Choral Fugue No. 6, which can be found in Mendelssohn's autograph and was also performe...
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- Felix X. Schachtner
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Mendelssohn described his 1840 work Lobgesang as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang...
Mendelssohn described his 1840 work Lobgesang as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang...
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- Joachim Linckelmann
- Carus-Verlag
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