Felix Schroeder

Mozart's famous and popular "Laudate Dominum" from his "Vesperae solennes de Confessore" KV 339 is now also available as a single movement with performance material and piano reduction. The arioso set...

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

Wolfgang Amadeus Mozart's enchanting Andantino KV Anh. 46 (374g) unfolds timeless elegance and warm tone in this expressive setting for cello and piano. This graceful piece captivates with its lyrical...

Wolfgang Amadeus Mozart's enchanting Andantino KV Anh. 46 (374g) unfolds timeless elegance and warm tone in this expressive setting for cello and piano. This graceful piece captivates with its lyrical...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib.

Partitur = Cembalo - Streicher und Basso continuo

Antonio Vivaldi (1678-1741) composed his CONCERTO in G Major, (Op. 51/4) RV 151, between the mid-1720s and 1730, around the time that he was writing the FOUR SEASONS. It does not feature solo instrume...

Antonio Vivaldi (1678-1741) composed his CONCERTO in G Major, (Op. 51/4) RV 151, between the mid-1720s and 1730, around the time that he was writing the FOUR SEASONS. It does not feature solo instrume...

Antonio Vivaldi's Concerto in B-flat major (RV 548 / P 406) is a masterful showcase of Baroque splendor and instrumental elegance. In this captivating double concerto, the oboe and violin engage in a...

Immerse yourself in the melodious elegance of the Baroque era with Georg Philipp Telemann's impressive Concerto in B minor TWV 53:h1. This masterpiece captivates through the artful and expressive inte...

Immerse yourself in the rich sonic elegance of the Baroque era with the captivating "Concerto in B minor", published by the renowned Karl Heinrich Möseler Verlag. This masterwork impresses with its ex...

Experience one of the most profound and moving masterpieces in the history of sacred music: the St. Matthew Passion unfolds an unparalleled emotional power and spiritual depth. This renowned edition f...

Mixed choir-SATB - choral score.

Experience the timeless splendor of Mary's canticle in a festive and sonorous setting: The Magnificat, published by Karl Heinrich Möseler Verlag, captivates with its masterly tonal richness and spirit...

Experience the radiant splendor and vibrant virtuosity of Baroque music with the Concerto in B-flat major (RV 548 / P 406) for oboe, violin, string orchestra, and basso continuo, published by the reno...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...