Felix Schroeder

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib.

Partitur = Cembalo - Streicher und Basso continuo

Antonio Vivaldi (1678-1741) composed his CONCERTO in G Major, (Op. 51/4) RV 151, between the mid-1720s and 1730, around the time that he was writing the FOUR SEASONS. It does not feature solo instrume...

Antonio Vivaldi (1678-1741) composed his CONCERTO in G Major, (Op. 51/4) RV 151, between the mid-1720s and 1730, around the time that he was writing the FOUR SEASONS. It does not feature solo instrume...

Mixed choir-SATB - choral score.

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...

Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...