Franz Lehár

Marschlied from the operetta 'Die lustige Witwe' for 4 part. male choir arranged by Josef Drexler

Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson. The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon...

Männerchor, Tenor solo

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...

Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...

Although Franz Lehár became most known for his contribution to the operetta repertoire, he also composed a lot of marches. One of these is 'Piave induló' (Piave Marsch, Marche form the 106th Regiment)...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe' ('The merry widow') in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...