Franz Liszt

This piece will rock your holiday concert while your students practice their hooked bowings. The piece can be played by strings alone, or with rhythm section and electric instruments. (3:35)

Malediction, S. 121 (Concerto for Piano and Strings in E minor) was composed in 1833 by Franz Liszt (1811-1886) during his early virtuoso period, at a time when he was exploring new forms of expressio...

Malediction, S. 121 (Concerto for Piano and Strings in E minor) was composed in 1833 by Franz Liszt (1811-1886) during his early virtuoso period, at a time when he was exploring new forms of expressio...

Presumably inspired by Charles Sainte-Beuve's collection of poems, this set of six pieces provides a wonderful introduction to Liszt's melodic invention, mood evocation and harmonic language. The most...

Wie kaum ein Musiker zuvor hat sich der junge Franz Liszt umfassend mit den damals aktuellen Fragen der Kunst auseinandergesetzt. Schon in seinen ersten Artikeln zieht Liszt eine schonungslose Bilanz...

Neuausgabe von Detlef Altenburg unter Mitarbeit von zahlreichen namhaften Liszt-Forschern aus dem In- und Ausland.

Franz Liszts Schriften zur Goethe-Stiftung sind heute mehr denn je von aktuellem Interesse. Liszt verstand in den Jahren nach 1848, also in politisch unruhiger Zeit, die große Tradition Weimars als In...

Liszts groß angelegte mehrteilige Essays über die beiden romantischen Opern Wagners können als Ausgangspunkt der internationalen Wagner-Rezeption gewertet werden. Die Texte erschienen um 1850 fast gle...

Originalbesetzung: Solostimmen (Sopran, Tenor, Bass), Männerchor und Klavierbegleitung (Z. 3146). Für gemischten Chor übertragen und herausgegeben von István Szelényi. Deutscher Text von Franz Schober...

Liszt/ed. by Weekley & Arganbright: This brilliant dramatic piece by Franz Liszt is a must for every teacher's library and for all advanced ensemble performers. First written as an orchestral work. Li...

Revised version by the Gustav MahlerGesellschaft, Vienna

Franz Liszt’s orchestral marches and occasional compositions constitute a fascinating, yet often unjustly neglected part of his orchestral oeuvre. This volume brings together works that document Liszt...

The third piece from Liszt's Grandes Études de Paganini presents an especially formidable technical challenge to performers. Based on the finale movement of Paganini's Violin Concerto in B minor, La c...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...

Liszt would not have become the artist we know, had it not been for Paganini. In turn, Liszt s absence would have made the history of music and musical performance very different. As such, it is safe...

The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime. Today they are...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...

Though he grew up in Vienna and Paris and spoke German as his native language, Ferenc Liszt's Hungarian patriotism was aroused by a natural disaster. ''Oh my wild and distant country! Your cry of pain...

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is...