Fritz Voegelin

3(picc).2.3(bcl).3(cbs)-4.2.3.0-percussion - strings

Symphony orchestra: 3(picc).2.2.2-2.2.2.0-percussion, timpani - strings

Symphony orchestra: 4(picc-alt).3(eh).3(bcl).2(cbs)-2.2.2.1-piano,percussion, timpani, strings)

The stereotype, though presented on constantly transformed motifs, stands for the UR-affinity between the two partners. At the beginning, distance is still noticeable. The trumpeter should play far aw...

The stereotype, though presented on constantly transformed motifs, stands for the UR-affinity between the two partners. At the beginning, distance is still noticeable. The trumpeter should play far aw...

The Balkans are at the centre of world affairs. As early as 1914, events in that area ignited the First World War. Today, at the end of the 20th century, it is clear that the conflict, which dates bac...

The Balkans are at the centre of world affairs. As early as 1914, events in that area ignited the First World War. Today, at the end of the 20th century, it is clear that the conflict, which dates bac...

The Balkans are at the centre of world affairs. As early as 1914, events in that area ignited the First World War. Today, at the end of the 20th century, it is clear that the conflict, which dates bac...

The Balkans are at the centre of world affairs. As early as 1914, events in that area ignited the First World War. Today, at the end of the 20th century, it is clear that the conflict, which dates bac...

...que no haya salida (...that there is no way out) uses the thematic of my work for flute and organ 'Laberinto' (1992 - Editions Bim), composed under the culturel shock caused by my move from South A...