Gabriel Fauré

Edited by Trevor Wye.

Three beautiful Fauré pieces, set as duets for 2 C flutes. In his famous Sicilienne Op. 78, the melodies weave between the two players, missing nothing of the original feel of the piece. "Mi-a-ou" fro...

Three beautiful Fauré pieces, set as duets for 2 C flutes. In his famous Sicilienne Op. 78, the melodies weave between the two players, missing nothing of the original feel of the piece. "Mi-a-ou" fro...

A delicious flutey arrangement of this well known piece from the Dolly Suite, also famous as the theme from "Listen with Mother". Also available for 6 C flutes.

A delicious flutey arrangement of this well known piece from the Dolly Suite, also famous as the theme from "Listen with Mother". Also available for 6 C flutes.

A delicious flutey arrangement of this well known piece from The Dolly Suite, also famous as the theme from "Listen with Mother". Also available for mixed flutes.

A delicious flutey arrangement of this well known piece from The Dolly Suite, also famous as the theme from "Listen with Mother". Also available for mixed flutes.

This beautiful Fauré piece was originally written for 'cello and piano, but has appeared in many different arrangements, most famously for flute and piano. This version for flute quintet completely ca...

This beautiful Fauré piece was originally written for 'cello and piano, but has appeared in many different arrangements, most famously for flute and piano. This version for flute quintet completely ca...

The most well known song from Faure's "Trois Melodies". This arrangement shares lyrical the tune between 2 flutes and alto, with the gentle accompanying quavers shared between the other players. Score...

The most well known song from Faure's "Trois Melodies". This arrangement shares lyrical the tune between 2 flutes and alto, with the gentle accompanying quavers shared between the other players. Score...

Originally for Soprano solo, this movement is taken from Faure's Requiem. Peaceful quartet sections here contrast with lush harmonies from the full sextet. Although including some simpler parts, this...

Originally for Soprano solo, this movement is taken from Faure's Requiem. Peaceful quartet sections here contrast with lush harmonies from the full sextet. Although including some simpler parts, this...

Originally for Soprano solo, this movement is taken from Faure's Requiem. This peaceful quartet version makes the most of close harmonies between the instruments, and would also be suitable for an adv...

Originally for Soprano solo, this movement is taken from Faure's Requiem. This peaceful quartet version makes the most of close harmonies between the instruments, and would also be suitable for an adv...

Originally for Soprano solo, this movement is taken from Faure's Requiem. This peaceful quartet version makes the most of close harmonies between the instruments, and would also be suitable for an adv...

Originally for Soprano solo, this movement is taken from Faure's Requiem. This peaceful quartet version makes the most of close harmonies between the instruments, and would also be suitable for an adv...

This charming lilting melody comes from the incidental music of Pelleas and Melisande, composed by Faure in 1898. This edition can be performed by either Flute and Piano or Flute and Clarinet

This lovely flowing melody will be instantly recognized through it's us in many television commercials and performances by leading performers.

Originally written for Piano Solo in 1863 this lovely melody has been expertly arranged for flute and piano by Julie Barker.

A delightful arrangement of this piece which achieved its fame through its use as the theme tune to 'Listen With Mother' on the radio.

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...