Gabriel Fauré

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...

Violoncello, Klavier - Spielpartitur; Einzelstimme

Some of the most elegant cello repertoire was written by French composers. With equal parts lyricism and charm, these seven beautiful solo melodies are a gift from prominent French composers Nadia Bou...

Alles für den Feinschmecker 1876, also zehn Jahre vor der Violinsonate von César Franck in derselben Tonart, leistet Gabriel Fauré bereits mit der A-dur-Sonate op. 13 einen gewichtigen Beitrag zur neu...

The music of small forms and of chamber-music instrumentations was to become the focus of the French composer Gabriel Fauré (1845-1924). In 1874, after many years spent in the 'provinces', the teacher...

The music of small forms and of chamber-music instrumentations was to become the focus of the French composer Gabriel Fauré (1845-1924). In 1874, after many years spent in the 'provinces', the teacher...

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...

Fauré komponierte die Elégie für Violoncello und Klavier 1880, möglicherweise als Teil einer Sonate, die nie fertiggestellt wurde. Der Erfolg der Uraufführung 1883 war so groß, dass Fauré das Stück 18...

Elegie Op.24, composed by Gabriel Fauré and edited by Julian Lloyd Webber for cello with piano accompaniment in digital sheet music format.

For violin (transc. A. Bachmann), viola (transc. P. L. Neuberth) or cello (transc. P. Casals) and piano.

This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...

After the great success of his Élégie (HN 563), Fauré's publisher Hamelle urged him to write another, similarly effective piece for cello and piano. Papillon was probably already composed in 1884, tho...

This brief, utterly charming and tuneful piece was probably committed to paper in 1894, though Fauré based it on an older version for cello and organ. The subsequent tempo change to 'Andante quasi All...

Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitu...

In contrast to the first cello sonata (HN1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the sta...

Faure's Sicilienne from Pelleas et Melisande for flute and Piano, edited and arranged by Robert Bigio.