Georg Friedrich Händel Sheet Music

Orchestration Solo piano (or organ), Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Double Bass) The string texture is complete with first and second violins and cellos. The third violins play...

Orchestration: Solo Trumpet in Bb Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass) Piano (optional - plays from score) This work may be performed by trumpet and strings with optional piano....

Orchestration Solo Trumpet in Bb Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass) Piano (optional - plays from score) This work may be performed by trumpet and strings with optional piano....

Orchestration: nSolo Viola Strings (Violin 1, Violin 2, Viola, Cello, Bass) This work was dedicated by John Barbirolli (1899-1970) to the Scottish born virtuoso violist and teacher William Primrose (1...

Orchestration: Violin 1, Violin 2, Violin 3, Viola, Cello, Bass: The two pieces from the Water Music, an Air and Hornpipe, are here arranged for junior string orchestra. Duration: 3 minutes A PACK com...

Orchestration Violin 1, Violin 2, Violin 3, Viola, Cello, Bass The two pieces from the Water Music, an Air and Hornpipe, are here arranged for junior string orchestra. Duration: 3 minutes A PACK compr...

Orchestration: Treble Recorder Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass) Keyboard continuo This andante from the Sinfonia to the First Chandos Anthem was originally in the key of A m...

Orchestration: Treble recorder or Flute or Oboe, Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) Piano [optional] These movements are effective played by a minimum of solo treble recorder...

This stirring, stately march from Handel's opera 'Scipione' could be a joyful introduction to baroque music for your students. The optional timpani part for two timps adds weight to this majestic work...

Your young string players will love sounding sophisticated and mature beyond their years playing this loosely based arrangement of the Andante from Handel's 'Overture to Berenice'.

Start your concert on a high note with this great celebratory program opener from Handel's Music for the Royal Fireworks. Your students will love playing this energetic baroque classic!

Using melodic and harmonic material from two marches by G. F Handel, the arranger has created a stirring 'classical' concert opener. This fine arrangement has great musical integrity, yet is very play...

Originally written as a concerto for two violins, this impressive final movement is string ensemble writing that will give developing groups confidence, yet create a very musical performance with its...

The majestic chorus See, the Conquering Hero Comes from Judas Maccabaeus is presented here in a version for easy level string orchestra. Present a lesson on Baroque oratorio: or collaborate with the h...

Famous Baroque themes, solidly arranged for young string ensemble. (Expert Level)

String teachers have come to enjoy the the skilled arrangements of John Leavitt, and his treatment of this Handel classic is one of his best yet. Three famous themes have been arranged in a short suit...

George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330) , are a collection of twelve concerti grossi for two violins and cello with an accompanying four-...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

This regal selection from the oratorio Judas Maccabeus by Handel is playable entirely in first position. Accidentals are few, phrasing patterns and rhythms are customary, and melodic duties are not li...

An excellent example of Baroque literature in a non-contrapuntal style, the parts in this setting are technically simple so directors can focus on concepts of musicality and interpretation during rehe...

From George Frederic Handel's great opera Rinaldo, this adaptation of the expressive soprano aria is set in the original key of D major. It features two beautifully lyrical themes that are repeated se...

From George Frederic Handel's great opera Rinaldo, this adaptation of the expressive soprano aria is set in the original key of D major. It features two beautifully lyrical themes that are repeated se...

From George Frederic Handel's great opera Rinaldo, this adaptation of the expressive soprano aria is set in the original key of D major. It features two beautifully lyrical themes that are repeated se...