Giovanni Pierluigi da Palestrina

Pure polyphony from the 16th century, inspired from the text of Psalm 80: 1-3: 'Sing joyfully to God our helper...' Instrumentation: Piccolo, 3 C Flutes, Bass Flute (or Alto Flute)

The original choir edition of Vestiva i colli, a madrigal by Renaissance master Giovanni Pierluigi da Palestrina, transports into polyphonic vocal music. Written for five-part choir (Cantus, Altus, Te...

L'edizione originale di Vestiva i colli, madrigale del maestro rinascimentale Giovanni Pierluigi da Palestrina, trasporta nella polifonia vocale. Per coro a cinque voci (Cantus, Altus, Tenor, Bassus,...

The 1566 madrigal "Vestiva i colli" from Palestrina's fifth book appears here in a chamber trio arrangement following the model of Bartolomeo de Selma y Salaverde (1638). The violin presents the brigh...

Il madrigale "Vestiva i colli", pubblicato nel 1566 nel quinto libro di Palestrina, è uno dei vertici della musica profana rinascimentale. Questa versione da camera per trio segue l'arrangiamento di B...

Published in 1566 within Palestrina's fifth book of madrigals, "Vestiva i colli" stands as one of the Renaissance's most beloved secular works. This chamber trio arrangement follows the model set by B...

Il madrigale Vestiva i colli, pubblicato nel 1566 nel quinto libro di Palestrina, è qui proposto in una versione da camera per trio ispirata all'arrangiamento di Bartolomeo de Selma y Salaverde (1638)...

These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a...

These Ricercari belong to the works of Palestrina of which no original print or autograph is known. Haberl included them in the thirty second volume of the works of Palestrina (p. 80 pp.) taken from a...

A ricercare is defined as an elaborate contrapuntal instrumental composition in a fugal or canonic style. This particular selection for four clarinets fits that description exactly. The musical lines...

Five minutes of magnificent, double-choir Renaissance.