Gustav Holst

A part-song for female voices, with words by Tennyson and music by Holst. From The Princess.

Dirge and Hymeneal was composed in 1915, shortly before the composition of Saturn from The Planets whose music it anticipates. It was performed for the first time at the 1986 Cheltenham Festival. Scor...

The Splendour Falls and the other songs from The Princess were written for a performance of tableaux from The Princess by the girls of James Allen Girls' School in London, where Holst taught. The song...

The intertwining of women's voices in Gustav Holst's Tears, Idle Tears will lend an elevated atmosphere to any performance, giving this secular piece an almost sacred character. It was written for aca...

Gustav Holst's Assemble All Ye Maidens Op. 44 No. 7 for SSA with Piano accompaniment, with words by Robert Bridges.

In The Bleak Midwinter is one of three hymns that Holst composed at the request of Ralph Vaughan Williams for the English Hymnal, which he was editing. Rossetti's poem had not been published until 190...

This work by Dan Forrest is a festival arrangement of the well-known tune Thaxted by Gustav Holst. Scored for mixed voices with piano or optional string orchestra or brass sextet with percussion, the...

When you order, you will receive a ZIP file containing the PDF files (score and parts). You can unzip the ZIP file on your computer using a standard programme.

For soprano solo (or semi chorus), Chorus, Organ, Strings, Brass and Percussion. Poem by Robert Bridges. Includes a German translation by Margarete Mohrhenn. Orchestral parts are on hire from publish...

Arranged by Gustav Holst from a traditional Hampshire folksong for SATB choir and rehearsal piano.

Gustav Holst's There Was A Tree for SATB choir with Piano accompaniment.

Matthew, Mark, Luke And John is a West Country folk song, arranged for SATB chorus by Gustav Holst. It was published as part of a collection of six such arrangements in 1916, forming the composer's op...

Holst 'The Lively Pair' And 'Green Grass' arranged for mixed voice choir SATB with piano accompaniment.

Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman.