Hans Werner Henze
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This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
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This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the...
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6 Blockflöten (SSAATB), Kornett, 2 Posaunen (AT), Schlagzeug, Harfe, Zither, Laute, Orgel, Violine, Viola und Violoncello. Im Jahre 1966 schrieb ich die Musik zu Volker Schlöndorffs erstem Film 'Der j...
6 Blockflöten (SSAATB), Kornett, 2 Posaunen (AT), Schlagzeug, Harfe, Zither, Laute, Orgel, Violine, Viola und Violoncello. Im Jahre 1966 schrieb ich die Musik zu Volker Schlöndorffs erstem Film 'Der j...
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- Andrew Parrott
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6 Blockflöten (SSAATB), Kornett, 2 Posaunen (AT), Schlagzeug, Harfe, Zither, Laute, Orgel, Violine, Viola und Violoncello. Im Jahre 1966 schrieb ich die Musik zu Volker Schlöndorffs erstem Film 'Der j...
6 Blockflöten (SSAATB), Kornett, 2 Posaunen (AT), Schlagzeug, Harfe, Zither, Laute, Orgel, Violine, Viola und Violoncello. Im Jahre 1966 schrieb ich die Musik zu Volker Schlöndorffs erstem Film 'Der j...
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- Andrew Parrott
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Immerse yourself in a captivating synthesis of visual art, choreography, and orchestral mastery: With "Das Vokaltuch der Kammersängerin Rosa Silber", renowned publisher Schott Musik presents an extrao...
Immerse yourself in a captivating synthesis of visual art, choreography, and orchestral mastery: With "Das Vokaltuch der Kammersängerin Rosa Silber", renowned publisher Schott Musik presents an extrao...
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In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My d...
In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My d...
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In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My d...
In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My d...
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Bei der Neuschrift des Stücks im Winter 1995-96, fünfzig Jahre nach seiner Entstehung (als Bühnenmusik zu Molières Comédie ballet Georges Dandin, aus der anschließend ein Ballett wurde mit dem englisc...
Bei der Neuschrift des Stücks im Winter 1995-96, fünfzig Jahre nach seiner Entstehung (als Bühnenmusik zu Molières Comédie ballet Georges Dandin, aus der anschließend ein Ballett wurde mit dem englisc...
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Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atm...
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atm...
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Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atm...
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atm...
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- 6 Percussion
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Commissioned by Salzburg Festival co-produced with Deutsche Oper Berlin, Teatro Real Madrid, and Teatro Massimo Palermo.
Commissioned by Salzburg Festival co-produced with Deutsche Oper Berlin, Teatro Real Madrid, and Teatro Massimo Palermo.
- Piano and Voice
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Ein Werkbericht von Hans Magnus Enzensberger, Hans Werner Henze, William Pearson, Karlheinz Zöller, Leo Briuwer und Tsutomu Yamash'ta.
Ein Werkbericht von Hans Magnus Enzensberger, Hans Werner Henze, William Pearson, Karlheinz Zöller, Leo Briuwer und Tsutomu Yamash'ta.
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Immerse yourself in a captivating world of sound filled with profound emotion and mythological resonance: With "Euridice – Fragments for Harpsichord (from Orpheus)", the renowned publisher Schott Musi...
Immerse yourself in a captivating world of sound filled with profound emotion and mythological resonance: With "Euridice – Fragments for Harpsichord (from Orpheus)", the renowned publisher Schott Musi...
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