Heitor Villa-Lobos

Immerse yourself in the expressive world of chamber music with the captivating "String Quartet No. 1". This compelling work unfolds a rich musical dynamic, offering a vibrant and intricate interplay a...

Immerse yourself in the evocative soundscape of "Distribuição de Flores" – an enchanting work for flute and guitar, published by the prestigious Editions Max Eschig. This delicate composition weaves t...

Vianna, Sebastiao, transcribed from the - original version for saxophone

Cancao do poeta

Immerse yourself in the captivating sound world of "Bendita Sabedoria", a masterful choral work published by the prestigious Editions Max Eschig. Scored for mixed choir (SATB a cappella), this impress...

With the moving work "Ave Maria No. 17", renowned publisher Editions Max Eschig presents a resonant gem of choral literature. This sensitive composition for mixed choir (SATB) and piano accompaniment...

Tristorosa is one of Villa-Lobos's earliest piano compositions. It is a waltz in a popular style of the day, and has a sentimental tone, colored with Chopinesque figures. Appropriate for the early adv...

Heitor Villa-Lobos's Guia Pratico Album No. 4 contains five pieces for Piano solo.

For Piano - Albums 6-7

The new collection THE BEST OF includes renowned guitar pieces composed by great authors. It is a new variation of the same Durand-Salabert-Eschig series for piano. This anthology contains extracts of...

The critical edition of Chôros n° 1 edited by the guitarist and scholar Frédéric Zigante. It offers to performers two versions of the Chôros n° 1: the first, dated 1928, was delivered to the guitarist...

An expressively slow prelude combines the beauty of Bach with the passions of Brazil. The clearly marked bowings and fingerings will save precious rehearsal minutes and contribute to a more profession...

Arranged for full chorus of Women's voices (SSAA) a cappella, with the original Portuguese words and music.

A mass by the well-liked Brazilian composer for 3-part choir, a cappella, of women's voices, boys' voices or men's voices (although scored for SSA, each part may be doubled at the octave).