Henri Vieuxtemps
Source: No. 14 Oeuvres posthumes 1884 by Jobert, Paris 'ALLEGRO ET SCHERZO pour PIANO et ALTO'.
Source: No. 14 Oeuvres posthumes 1884 by Jobert, Paris 'ALLEGRO ET SCHERZO pour PIANO et ALTO'.
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FIRST PRINT, Urtext Edition prepared by MARTIN WULFHORST with a practical solo part preparation by YURY REVICH. A manuscript found in Doblinger's archives proved a sensation: a cadenza to Beethoven's...
FIRST PRINT, Urtext Edition prepared by MARTIN WULFHORST with a practical solo part preparation by YURY REVICH. A manuscript found in Doblinger's archives proved a sensation: a cadenza to Beethoven's...
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Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
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Henri Vieuxtemps composed the fantasia La Sentimentale in readiness for his second tour of Russia in 1839-1840. In terms of its character, the fantasia is marked by bel canto opera. Vieuxtemps himself...
Henri Vieuxtemps composed the fantasia La Sentimentale in readiness for his second tour of Russia in 1839-1840. In terms of its character, the fantasia is marked by bel canto opera. Vieuxtemps himself...
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Vieuxtemps' 8th Violin Concerto, dedicated to Eugène Ysaye, could not be completed by him before his death, the autograph sketches have been lost, and only a contemporary transcript of the piano reduc...
Vieuxtemps' 8th Violin Concerto, dedicated to Eugène Ysaye, could not be completed by him before his death, the autograph sketches have been lost, and only a contemporary transcript of the piano reduc...
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Vieuxtemps wrote these variations when he was barely 18 years old, before a concert tour to Russia. They fulfill the classical ideal of a 'pure, innocent' expression to a particular degree and can be...
Vieuxtemps wrote these variations when he was barely 18 years old, before a concert tour to Russia. They fulfill the classical ideal of a 'pure, innocent' expression to a particular degree and can be...
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At the age of 15, several years before his well-known violin concertos, Henri Vieuxtemps wrote a so far unpublished violin concerto in E major. It is an ingenious work of his youth that already reveal...
At the age of 15, several years before his well-known violin concertos, Henri Vieuxtemps wrote a so far unpublished violin concerto in E major. It is an ingenious work of his youth that already reveal...
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On a tour of America in 1833 and 1834, the Franco/Flemish violin virtuoso Henri Vieuxtemps heard Yankee Doodle. On returning to Europe, he produced the violin and piano barnburner that was the inspira...
On a tour of America in 1833 and 1834, the Franco/Flemish violin virtuoso Henri Vieuxtemps heard Yankee Doodle. On returning to Europe, he produced the violin and piano barnburner that was the inspira...
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The Airs variés No. 2 and No. 4 by the Belgian Henri Vieuxtemps, published here for the first time, stand as fascinating testimonies to an early developing major talent as violinist and composer. Both...
The Airs variés No. 2 and No. 4 by the Belgian Henri Vieuxtemps, published here for the first time, stand as fascinating testimonies to an early developing major talent as violinist and composer. Both...
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The Belgian violinist and composer Henri Vieuxtemps (1820-1881) was one of the most important violin virtuosos of the 19th century. Concert tours took him throughout Europe and to the USA; for only a...
The Belgian violinist and composer Henri Vieuxtemps (1820-1881) was one of the most important violin virtuosos of the 19th century. Concert tours took him throughout Europe and to the USA; for only a...
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> Original cadenza no. 1 also in a version by Eugène Ysaye > With a marked and unmarked string part > Recital Piece for advanced students > Preface by the Belgian expert on Vieuxtemps, Marie Cornaz >...
> Original cadenza no. 1 also in a version by Eugène Ysaye > With a marked and unmarked string part > Recital Piece for advanced students > Preface by the Belgian expert on Vieuxtemps, Marie Cornaz >...
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