Hugo Ruf

The edition is part of the Trinity syllabus 2007 (grade 6)

Friedrich Wilhelm Heinrich Benda (1745-1814), son of the leader of the Royal Prussian court orchestra Franz Benda, was employed as a violinist in the court orchestra and was also featured there as a c...

Friedrich Wilhelm Heinrich Benda (1745-1814), son of the leader of the Royal Prussian court orchestra Franz Benda, was employed as a violinist in the court orchestra and was also featured there as a c...

Johann Georg Tromlitz (1725-1805) was solo flutist of the 'Große Konzert' in Leipzig, the predecessor of the famous Gewandhaus Orchestra. He was not only a gifted performer but equally renowned as com...

Although French, Guillemain's complete works are marked by the characteristics of the Italian style, which are particularly evident in the composer's predilection for rich ornamentation, sweeping move...

Although French, Guillemain's complete works are marked by the characteristics of the Italian style, which are particularly evident in the composer's predilection for rich ornamentation, sweeping move...

The four-movement structure of the sonata, as was common in the late basso continuo era, juxtaposes four melodically and rhythmically contrasting themes.

The three sonatas are taken from opus 1, which was published in Augsburg without a date. The composer states in the preface that in composing these sonatas he had paid less attention to learned contra...

The technically uncomplicated sonata is suitable for recital, lessons as well as for making music at home. According to the composer, the work is playable for both flute and violin.

Leclair, one of the most important French composers and violinists of the 18th century, left four booklets of 12 sonatas each for violin and basso continuo. The last booklet (1738) contains two sonata...

For already advanced flutists and lovers of Italian baroque music a particularly interesting release, which offers the opportunity to get to know Locatelli's personal style better.

For already advanced flutists and lovers of Italian baroque music a particularly interesting release, which offers the opportunity to get to know Locatelli's personal style better.

At the beginning of the sonata, the score reads: Sonata a 3 di Quantz / Flauto / Travers: / Cembalo / o / Violino / Basso. The note 'harpsichord o violin' deserves special attention, as it indicates t...

A three-movement work of simple, restrained expression and classical melodic formation.

A three-movement work of simple, restrained expression and classical melodic formation.