Ira Gershwin

Unlike the original ballad heard in the opera Porgy and Bess and sung by a high soprano, here is an easy swing rendition and placed in a key that is comfortable for developing voices. The section with...

From the Count Basie library, this classic flag-waver from the pen of Sammy Nestico is available again! A true tour de force for every section of the band, this monster chart features blistering brass...

This chart has been transcribed and adapted from the original Nelson Riddle arrangement written for Ella's Gershwin Songbook album. We have removed the string lines and written the chart for a standar...

First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively...

But Not for Me' from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, a...

This classic American song from Porgy and Bess deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voi...

This classic American song from Porgy and Bess deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voi...

This classic American song from Porgy and Bess deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voi...

This is a contemporary and funky-ballad treatment of this classic vocal. The key is D minor, the vocal range is A below middle C to 2nd space A. The instrumental parts are very reachable with lead tru...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

Brass quintet instrumentation is two B-flat trumpets, French horn, trombone, and tuba. Featuring three Gershwin compositions, 'Love Is Here to Stay' 'Embraceable You' and 'I Got Rhythm' (6:26)

One of the classic songs from Gershwin's Porgy and Bess! Stylistically based on the famous collaboration of Miles Davis and Gil Evans, this powerful arrangement by Mike Tomaro set in a medium swing st...

But Not for Me' from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, a...

But Not for Me' from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, a...

A terrific Gershwin song for your female vocalist. The vocal range is from G below middle C to third-line B-flat. The lead trumpet range is to written high B-flat. This chart flows very well and will...

Challenging harmonies and rhythmic passages have helped make this vocal jazz setting of the Gershwin standard a favorite.

Alfred is pleased to present the Broadway's Best series. The best songs from the best shows are arranged for Easy Piano by Alfred's skilled arrangers. Each book includes lyrics and a synopsis of the s...

Let's Call The Whole Thing Off, composed by George Gershwin and arranged for flute solo in digital sheet music format.

Someone To Watch Over Me, composed by George Gershwin and arranged for flute solo in digital sheet music format.

No one but Mark Hayes could take this Gershwin masterpiece and make it into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than you can count in t...

Now available S.S.A.A. and T.T.B.B. One of the most charming songs from the great era of American popular song. 'The way you wear your hat, the way you sip your tea ... no, no, they can't take that aw...

This Gershwin® classic from Porgy and Bess truly comes to life in this exceptional new choral arrangement by Russell Robinson. While it is not without its challenges, this Broadway concert piece is we...

Sam And Delilah written by George Gershwin with words by Ira Gershwin, as performed by Sarah Vaughan in the key of C Major arranged for voice and piano.