Jakob Hauschildt
Johannes Brahms twice chose a theme by his friend and mentor Robert Schumann as the basis for piano variations. While the Variations op. 9 were composed for piano solo, as an exception he wrote Opus 2...
Johannes Brahms twice chose a theme by his friend and mentor Robert Schumann as the basis for piano variations. While the Variations op. 9 were composed for piano solo, as an exception he wrote Opus 2...
- Piano 4 Hands
- Sheet Music (Urtext)
- Andreas Groethuysen
- G. Henle Verlag
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In spring 1865 Brahms surprised his friends and acquaintances with 16 little waltzes for piano four-hands. He informed his friend the well-known critic Eduard Hanslick about this in April 1866, saying...
In spring 1865 Brahms surprised his friends and acquaintances with 16 little waltzes for piano four-hands. He informed his friend the well-known critic Eduard Hanslick about this in April 1866, saying...
- Piano 4 Hands
- Sheet Music (Urtext)
- G. Henle Verlag
-
in stock
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The "Gesang aus Fingal" op. 17b for mixed choir and orchestra is an arrangement of the fourth movement from the Vier Gesänge für Frauenchor, Hörnern und Harfe op. 17, which Brahms composed at the inst...
The "Gesang aus Fingal" op. 17b for mixed choir and orchestra is an arrangement of the fourth movement from the Vier Gesänge für Frauenchor, Hörnern und Harfe op. 17, which Brahms composed at the inst...
- Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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The volume includes popular as well as yet to be discovered choral works or versions by Johannes Brahms. In addition to the 'Liebeslieder-Walzern' op. 52 in the original four-hand version with voice a...
The volume includes popular as well as yet to be discovered choral works or versions by Johannes Brahms. In addition to the 'Liebeslieder-Walzern' op. 52 in the original four-hand version with voice a...
- Soloists, Choir and Piano
- Score and Critical Comment (Urtext)
- G. Henle Verlag
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The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and pian...
The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and pian...
- Mixed Choir (SATB) and Piano
- Piano Score (Urtext)
- Breitkopf & Härtel KG
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in stock
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