Zibuoklé Martinaityté

Zibuokle Martinaityté's Ululation (2023) for mixed choir developes entirely from the ululating gesture. The composer tells: The idea of ululations as an audible, ritualistic expression of mourning bec...

Žibuoklė Martinaitytė's Louder-Quieter (2014) for alto trombone, tenor trombone and tuba is a study of dynamics for brass where the principle of crescendo and diminuendo is applied for sustained and p...

Žibuoklė Martinaitytė Osmosis (2015) is scored for three trumpets and three tenor trombones. The instruments of the 12-minute-work are in osmotic relationships: various degrees of assimilation happen...

The Blue of Distance for a cappella choir (SSAATTBB, no text) was composed in 2010 and premiered by Jauna Muzika with conductor Vaclovas Augustinas, on October 25, 2010 at the Gaida festival in Vilniu...

Zibuoklė Martinaitytė tells about the background of Aletheia (no text [combinations of vowels and consonants] 2022) for mixed choir (SSSSAAAATTTTBBBB): "Aletheia is variously translated from Greek as...

Chant des Voyelles - Incantation of Vowels (no text, 2018) for mixed choir (SSAATTBB) was premiered by Volti on May 4, 2018 at Noe Vallay Ministry in San Francisco and on May 6, 2018 at BAMPFA, in Ber...

The works of New York -based Lithuanian composer Žibuokle Martinaityté (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revo...

Žibuoklė Martinaitytė's Sielunmaisema (2019) for cello and string orchestra contemplates the cycle of the year in its movements, which are named Winter, Spring, Summer, and Autumn. Sielunmaisema trans...