Johann Kuhnau
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
- Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Part: Violin 2
- Carus-Verlag
-
ships within 2-5 working days
ships within 2-5 working days
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
- Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Part: Viola 1
- Carus-Verlag
-
ships within 2-5 working days
ships within 2-5 working days
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
- Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Part: Viola 2
- Carus-Verlag
-
ships within 2-5 working days
ships within 2-5 working days
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
Zu den wichtigsten Kompositionen Johann Kuhnaus gehört ohne Zweifel die Kantate 'Gott, sei mir gnädig', die auf breite und wirkungsvolle Tutti und Soli aufgebaut ist.
- Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Part: Continuo
- Carus-Verlag
-
ships within 2-5 working days
ships within 2-5 working days
Bearbeitung der Johann Kuhnau zugeschriebenen Motette 'Tristis est anima mea' Die Motette 'Der Gerechte kommt um' ist innerhalb der Passionskantate 'Ein Lämmlein geht und trägt die Schuld' von Carl He...
Bearbeitung der Johann Kuhnau zugeschriebenen Motette 'Tristis est anima mea' Die Motette 'Der Gerechte kommt um' ist innerhalb der Passionskantate 'Ein Lämmlein geht und trägt die Schuld' von Carl He...
- Mixed Choir (SSATB), 2 Oboes, 2 Violins, Viola and Continuo
- Score
- Johann Sebastian Bach
- Carus-Verlag
-
in stock
ships within 1-2 working days
in stock
| ships within 1-2 working days
Bearbeitung der Johann Kuhnau zugeschriebenen Motette 'Tristis est anima mea' Die Motette 'Der Gerechte kommt um' ist innerhalb der Passionskantate 'Ein Lämmlein geht und trägt die Schuld' von Carl He...
Bearbeitung der Johann Kuhnau zugeschriebenen Motette 'Tristis est anima mea' Die Motette 'Der Gerechte kommt um' ist innerhalb der Passionskantate 'Ein Lämmlein geht und trägt die Schuld' von Carl He...
- Mixed Choir (SSATB), 2 Oboes, 2 Violins, Viola and Continuo
- Instrumental Part: Organ
- Johann Sebastian Bach
- Carus-Verlag
-
in stock
ships within 1-2 working days
in stock
| ships within 1-2 working days
Kantate für Tenor oder Sopran, 4-5 stimmigen Chor, 2 Hörner oder 2 Oboen, 5-stimmiges Streichorchester und Generalbass.
Kantate für Tenor oder Sopran, 4-5 stimmigen Chor, 2 Hörner oder 2 Oboen, 5-stimmiges Streichorchester und Generalbass.
- Soloist, Mixed Choir (4-5 Parts), 2 Horns, 5 Strings and Continuo
- Score
- Edition Müller & Schade
-
in stock
ships within 1-2 working days
in stock
| ships within 1-2 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Zink 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Zink 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Set of Parts - Harmony (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
- Soloists, Choir and Orchestra
- Instrumental Part: Organ
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
- Soloists, Choir and Orchestra
- Instrumental Part: Violin 1
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
- Soloists, Choir and Orchestra
- Instrumental Part: Violin 2
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days