Johann Sebastian Bach

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

2 Bassoons & Piano (Organ).

A selection of Bach's most interesting harmonisations, with equal opportunities for each of the four players. Fairly easy to play, ideal for group teaching. Contents O Haupt voll Blut und Wunden (2 s...

Happiness is - a bassoon quartet! Scored for 3 bassoons plus contra. Series: Crooks Anonymous

The history of the work is comparatively recent: it lay undiscovered until1917, when the manuscript in the hand of two different contemporary copyists came to light; entitled Solo pour Ia flute traver...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

The finale of Johann Sebastian Bach’s Brandenburg Concerto No. 2 is a brilliant example of the energy and virtuosity of the Baroque style. From the very first measures, the music captivates with its l...

Arrangements in the Jazz for Small Groups series are written especially for smaller ensembles with aspirations to play the 'Big Band' sound, but which don't have the necessary forces. Each arrangement...

Trio for Woodwinds, Strings, Recorders, or Mixed Ensemble

Trio for Woodwinds, Strings, Recorders, or Mixed Ensemble

Bachs weithin bekanntes Air arrangiert für Jugendblasorchester. Das Besondere an diesem Arrangement ist, dass das Jugendblasorchester auf Wunsch mit einer Tonspur mitspielen kann. Die Tonspur kann kos...

4-stimmige Stücke für variable Ensembles mit Werken von Wilfred Josephs, Tylman Susato, Carey Blyton, John Paynter, Johann Sebastian Bach und Wolfgang Amadeus Mozart.

4-stimmige Stücke für variable Ensembles mit Werken von Wilfred Josephs, Tylman Susato, Carey Blyton, John Paynter, Johann Sebastian Bach und Wolfgang Amadeus Mozart.

4-stimmige Stücke für variable Ensembles mit Werken von Wilfred Josephs, Tylman Susato, Carey Blyton, John Paynter, Johann Sebastian Bach und Wolfgang Amadeus Mozart.

4-stimmige Stücke für variable Ensembles mit Werken von Wilfred Josephs, Tylman Susato, Carey Blyton, John Paynter, Johann Sebastian Bach und Wolfgang Amadeus Mozart.

Bach's Arioso was arranged in many different forms by the composer. First written as a Violin or Oboe Concerto in G minor, now lost, it was then transposed and re-used as the Sinfonia to the Cantata B...

The Great Performer's Edition version of J. S. Bach's Concerto in A Minor (BWV 1056), transcribed for Flute and Piano by James Galway with a piano reduction by Phillip Moll.

This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...