Johann Sebastian Bach

Johann Sebastian Bach’s magnificent cantata "Herz und Mund und Tat und Leben" (BWV 147) is one of the most radiant masterpieces of Baroque vocal music. Composed for the Feast of the Visitation and pre...

Soli SATB, Coro SATB, Ob I/Obda/Obca I, Ob II/Obca II, Tr, 2 Vl, Va, Bc Kantate zum Fest Mariae Heimsuchung (Leipziger Fassung)

Komplettes Orchestermaterial mit Preisvorteil! Soli SATB, Coro SATB, Ob I/Obda/Obca I, Ob II/Obca II, Tr, 2 Vl, Va, Bc Kantate zum Fest Mariae Heimsuchung (Leipziger Fassung)

Komplettes Orchestermaterial mit Preisvorteil! Soli SATB, Coro SATB, Ob I/Obda/Obca I, Ob II/Obca II, Tr, 2 Vl, Va, Bc Kantate zum Fest Mariae Heimsuchung (Leipziger Fassung)

With the festive cantata "Herz und Mund und Tat und Leben" (BWV 147), Johann Sebastian Bach created one of his most deeply moving and radiant sacred masterpieces. Composed for the Feast of the Visitat...

Soli SATB, Coro SATB, Ob I/Obda/Obca I, Ob II/Obca II, Tr, 2 Vl, Va, Bc Kantate zum Fest Mariae Heimsuchung (Leipziger Fassung)

Johann Sebastian Bach's cantata "Nach dir, Herr, verlanget mich" (BWV 150) is widely regarded as one of the master's earliest and most captivating vocal works. Presumably composed for a penitential se...

Kantate für den Bussgottesdienst (?) - Bestimmung der Kantate unbekannt. Soli SATB, Coro SATB, Fg, Str, Org

Kantate für den Bussgottesdienst (?) - Bestimmung der Kantate unbekannt. Soli SATB, Coro SATB, Fg, Str, Org

Kantate zum 3. Weihnachtsfesttag (Urfassung). Soli SATB, Coro SATB, Fl, 2 Vl, Va, Bc, Org

Kantate zum 3. Weihnachtsfesttag (Urfassung). Soli SATB, Coro SATB, Fl, 2 Vl, Va, Bc, Org

Kantate zum 3. Weihnachtsfesttag (Urfassung) - Bachs Kantate BWV 151, deren wundervoll-innige Eingangsarie mit Recht den 'glücklichsten Eingebungen Bachs' (Alfred Dürr) zugerechnet wird, ist zum 3. We...

Kantate zum 3. Weihnachtsfesttag (Urfassung) - Bachs Kantate BWV 151, deren wundervoll-innige Eingangsarie mit Recht den 'glücklichsten Eingebungen Bachs' (Alfred Dürr) zugerechnet wird, ist zum 3. We...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...