Johann Sebastian Bach
Kantate zum 17. Sonntag nach Trinitatis. Soli SB, Coro SATB, 2 Ob, Org obl, Str, Org
Kantate zum 17. Sonntag nach Trinitatis. Soli SB, Coro SATB, 2 Ob, Org obl, Str, Org
- Soloists, Mixed Choir (SATB), 2 Oboes, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
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- Soloists, Mixed Choir (SATB), 2 Oboes, Strings and Organ
- Set of Parts Download
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Kantate zum 17. Sonntag nach Trinitatis. Soli SB, Coro SATB, 2 Ob, Org obl, Str, Org
Kantate zum 17. Sonntag nach Trinitatis. Soli SB, Coro SATB, 2 Ob, Org obl, Str, Org
- Soloists, Mixed Choir (SATB), 2 Oboes, Strings and Organ
- Instrumental Part: Organ (Download)
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Die Kantate zum 19. Sonntag nach Trinitatis gehört Bachs erstem Leipziger Kantatenjahrgang an und wurde am 3. Oktober 1723 erstmals aufgeführt. Der Text eines unbekannten Dichters schließt an das Sonn...
Die Kantate zum 19. Sonntag nach Trinitatis gehört Bachs erstem Leipziger Kantatenjahrgang an und wurde am 3. Oktober 1723 erstmals aufgeführt. Der Text eines unbekannten Dichters schließt an das Sonn...
- Soloists, Mixed Choir (SATB), 2 Oboes, Trumpet, 2 Violins, Viola and Continuo
- Set of Parts Download
- Paul Horn
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Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Harmony Parts Download
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Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 1 (Download)
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Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 2 (Download)
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Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Viola (Download)
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Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
Kantatensatz zum Michaelistag. Rekonstruktion der mutmasslichen Urfassung (Reinhold Kubik) - Entstehung in der späteren Schaffenszeit um 1740. Coro SAATB, 2 Ob, Obca, 3 Tr, Timp, Str, Org
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
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Entstehung in der späteren Schaffenszeit um 1740
Entstehung in der späteren Schaffenszeit um 1740
- Soloists, Mixed Choir (SAATB), 3 Oboes, 3 Trumpets, Timpani, Strings and Organ
- Set of Parts Download
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Entstehung in der späteren Schaffenszeit um 1740
Entstehung in der späteren Schaffenszeit um 1740
- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Score Download
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- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Harmony Parts Download
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- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Strings Download
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- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Download)
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- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Download)
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- 2 Mixed Choirs (SATB), 2 Oboes, Oboe d'Amore, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Download)
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L'origine de la cantate BWV 51 est inconnue. L'effectif festif exceptionnel avec trompette et soprano solo, et le caractère virtuose de ces parties semblent indiquer une occasion particulière, comme N...
L'origine de la cantate BWV 51 est inconnue. L'effectif festif exceptionnel avec trompette et soprano solo, et le caractère virtuose de ces parties semblent indiquer une occasion particulière, comme N...
- High Voice, Trumpet, 2 Violins, Viola, Cello and Organ
- Set of Parts Download
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Kantate zum 15. Sonntag nach Trinitatis - Solo S, Tr, Str, Org
Kantate zum 15. Sonntag nach Trinitatis - Solo S, Tr, Str, Org
- High Voice, Trumpet, 2 Violins, Viola, Cello and Organ
- Instrumental Part: Organ (Download)
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- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Harmony Parts Download
- Paul Horn
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- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Download)
- Paul Horn
- Carus-Verlag
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- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Download)
- Paul Horn
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- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Download)
- Paul Horn
- Carus-Verlag
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- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Download)
- Paul Horn
- Carus-Verlag
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In der Kantate Ich armer Mensch, ich Sündenknecht hat Bach ein Höchstmaß an Ausdrucksstärke mit geringen vokalen Mitteln [Solotenor, nur der Schlusschoral vierstimmig] geschaffen. Die drei letzten Sät...
In der Kantate Ich armer Mensch, ich Sündenknecht hat Bach ein Höchstmaß an Ausdrucksstärke mit geringen vokalen Mitteln [Solotenor, nur der Schlusschoral vierstimmig] geschaffen. Die drei letzten Sät...
- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Set of Parts Download
- Paul Horn
- Carus-Verlag
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Également inclus dans le set
Également inclus dans le set
- High Voice, Mixed Choir (SATB), Flute, Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Download)
- Paul Horn
- Carus-Verlag
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