Jos van de Braak
The chorus Che faceste? Dite su! from the opera Macbeth is sung at the very beginning of the opera. Three strings of witches are waiting for the generals Macbeth and Banquo to prophesy their futures:...
The chorus Che faceste? Dite su! from the opera Macbeth is sung at the very beginning of the opera. Three strings of witches are waiting for the generals Macbeth and Banquo to prophesy their futures:...
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The chorus Che faceste? Dite su! from the opera Macbeth is sung at the very beginning of the opera. Three strings of witches are waiting for the generals Macbeth and Banquo to prophesy their futures:...
The chorus Che faceste? Dite su! from the opera Macbeth is sung at the very beginning of the opera. Three strings of witches are waiting for the generals Macbeth and Banquo to prophesy their futures:...
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The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
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The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
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The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
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The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
The Romanza Bella siccome un angelo is sung by Dottor Malatesta in the first act of Donizetti's opera Don Pasquale. Bursting with impatience, the rich, elderly Don Pasquale is waiting for Dr. Malatest...
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Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
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Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
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Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
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Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
Ralph Vaughan Williams completed the Five Mystical Songs for baritone, chorus and orchestra in 1911. In the second song I got me Flowers there are incessant changes of time-signature, though the vocal...
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Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
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Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
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Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
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Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
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Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
Georges Bizet composed 'L'Arlésienne' as incidental music to Alphonse Daudet's play of the same name, usually translated as 'The Girl from Arles'. The incidental music has survived and flourished, how...
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Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
Alexandre Levy (1864 - 1892) was a Brazilian composer, pianist and conductor. Born in São Paulo, he pioneered a fusion of classical composition with Brazilian folklore and regional rhythms. In 1890 Al...
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Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
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Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
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Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
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Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...
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Moscow, Cheryomushki is an operetta in three acts by Dmitri Shostakovich. It is sometimes referred to as simply "Cheryomushki" which is a district in Moscow full of cheap subsidized housing built in 1...
Moscow, Cheryomushki is an operetta in three acts by Dmitri Shostakovich. It is sometimes referred to as simply "Cheryomushki" which is a district in Moscow full of cheap subsidized housing built in 1...
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