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Jos van de Braak

Wolfgang Amadeus Mozart

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

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Order no.: BTM261SC-DL
Christoph Willibald Gluck
from The Opera 'Orpheus and Euredice'

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

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Order no.: BTM262
Christoph Willibald Gluck
from the opera 'Orpheus and Euredice'

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

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Order no.: BTM262-DL
Christoph Willibald Gluck
from The Opera 'Orpheus and Euredice'

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

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Order no.: BTM262SC
Christoph Willibald Gluck
from the opera 'Orpheus and Euredice'

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...

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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

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Order no.: BTM287SC-DL

(Soprano, Choir and Concert Band)

(Soprano, Choir and Concert Band)

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Pietro Mascagni
from the opera Cavalleria Rusticana

(Soprano, Choir and Concert Band)

(Soprano, Choir and Concert Band)

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Order no.: BTM299-DL

(Soprano, Choir and Concert Band)

(Soprano, Choir and Concert Band)

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Pietro Mascagni
from the opera Cavalleria Rusticana

(Soprano, Choir and Concert Band)

(Soprano, Choir and Concert Band)

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Antonín Dvořák
1. Allegro con brio

The first movement of Dvorak's 8th Symphony, Allegro con brio, contains no less than five themes that flow freely into each other but have their own character. Gustav Mahler described this movement as...

The first movement of Dvorak's 8th Symphony, Allegro con brio, contains no less than five themes that flow freely into each other but have their own character. Gustav Mahler described this movement as...

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Order no.: BTM311SC
Antonín Dvořák
1. Allegro con brio

The first movement of Dvorak's 8th Symphony, Allegro con brio, contains no less than five themes that flow freely into each other but have their own character. Gustav Mahler described this movement as...

The first movement of Dvorak's 8th Symphony, Allegro con brio, contains no less than five themes that flow freely into each other but have their own character. Gustav Mahler described this movement as...

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Order no.: BTM311SC-DL
Ottorino Respighi
Lyrical Poem

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

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Order no.: BTM340
Ottorino Respighi
Lyrical Poem

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

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Order no.: BTM340-DL
Ottorino Respighi
Lyrical Poem

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

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Order no.: BTM340SC
Ottorino Respighi
Lyrical Poem

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

Ottorino Respighi (1897-1936) set several of Percy Bysshe Shelley's poems, but only three were set for mezzo-soprano and orchestra: Arethusa in 1910, Il Tramonto in 1914, and La Sensitiva between 1914...

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Order no.: BTM340SC-DL
  • Concert Band (Solo/Feature: Rhythm Section)
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Order no.: BTM385

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

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Order no.: BTM385-DL

Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...

Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...

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  • Jos van de Braak
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Order no.: BTM430

Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...

Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...

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  • Jos van de Braak
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Order no.: BTM430-DL
Franz Xaver Gruber
for Choir and Symphonic Band

On Christmas Eve of 1818, Catholic priest Josef Mohr, showed Austrian composer Franz Xaver Gruber a six-stanza poem he had written in 1816 and he asked Gruber to set the poem to music. Because the chu...

On Christmas Eve of 1818, Catholic priest Josef Mohr, showed Austrian composer Franz Xaver Gruber a six-stanza poem he had written in 1816 and he asked Gruber to set the poem to music. Because the chu...

  • Concert Band and Mixed Choir
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  • Jos van de Braak
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121,95 €
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Order no.: BTM436
Franz Xaver Gruber
for Choir and Symphonic Band

On Christmas Eve of 1818, Catholic priest Josef Mohr, showed Austrian composer Franz Xaver Gruber a six-stanza poem he had written in 1816 and he asked Gruber to set the poem to music. Because the chu...

On Christmas Eve of 1818, Catholic priest Josef Mohr, showed Austrian composer Franz Xaver Gruber a six-stanza poem he had written in 1816 and he asked Gruber to set the poem to music. Because the chu...

  • Concert Band and Mixed Choir
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33,95 €
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Order no.: BTM436SC
Gioacchino Rossini
Solo For Euphonium

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

  • Concert Band (Solo/Feature: Euphonium)
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Order no.: BTM437
Gioacchino Rossini
Solo for Euphonium

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

  • Concert Band (Solo/Feature: Euphonium)
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156,95 €
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Order no.: BTM437-DL
Gioacchino Rossini
Solo for Euphonium

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

Rossini's "Il Barbiere di Siviglia" (1816) is one of the greatest of all comic operas. Based on an excellent play by Beaumarchais, "The Barber of Seville" delights audiences with its keenly sketched c...

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38,95 €
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Order no.: BTM437SC