Josef Gabriel Rheinberger

Original organ and orchestral version Rheinberger's Mass in A major is an easy work to perform. It dispenses with polyphonic developments and remains in a harmonic movement slightly loosened up by sho...

The Ad hoc templum is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to this song...

The Ad hoc templum is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to this song...

The Venite populi is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to the Venite...

The Venite populi is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publisher for easily performable church music. In addition to the Venite...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

Inspired by Mozart and Cherubini's Requiem settings, Rheinberger created his first major sacred work in 1865 with the "Requiem" op. 60. Before its premiere in 1870, he reworked it once again and dedic...

Rheinberger reported around 150 performances of his Christoforus in Germany and abroad around 1900 - a success story that unfortunately came to an end in the 20th century. With the present edition, ba...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

Josef Gabriel Rheinberger wrote the Benedictus sit Deus for choir with an obbligato organ part while spending his vacations in his home country Liechtenstein in the summer of 1861. He donated the shor...

Josef Gabriel Rheinberger wrote the Benedictus sit Deus for choir with an obbligato organ part while spending his vacations in his home country Liechtenstein in the summer of 1861. He donated the shor...

The Recordare Virgo, an offertory for the feast of Our Lady of Sorrows (15 September) is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publi...

The Recordare Virgo, an offertory for the feast of Our Lady of Sorrows (15 September) is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publi...

In March 1855, shortly before his 16th birthday, Josef Gabriel Rheinberger composed one of his most successful pieces, the Abendlied, Op. 69/3. Yet it was to be another 18 years before he published th...

Aus dem 'Mainzer Chorbuch'.