Julia Rosemeyer
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 1 (Urtext) Download
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi's sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi's sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 2 (Urtext) Download
- Carus-Verlag
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immediately available
Download immediately after ordering - Instant download
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 1 Download (Urtext)
- Carus-Verlag
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immediately available
Download immediately after ordering - Instant download
immediately available
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 2 Download (Urtext)
- Carus-Verlag
-
-
immediately available
Download immediately after ordering - Instant download
immediately available
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Single part basso continuo Download (Urtext)
- Carus-Verlag
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immediately available
Download immediately after ordering - Instant download
immediately available
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext)
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ships within 2-5 working days
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ships within 2-5 working days
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext) Download
- Carus-Verlag
-
-
immediately available
Download immediately after ordering - Instant download
immediately available
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What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Choral Score
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ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Set of Parts
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ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Violin 1
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Violin 2
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Parts: Cello and Double Bass
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Set of Parts
- Carus-Verlag
-
-
ships within 2-5 working days
ships within 2-5 working days
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Organ
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” - this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” - this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Score Download
- Carus-Verlag
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immediately available
Download immediately after ordering - Instant download
immediately available
| Download immediately after ordering
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola
- Carus-Verlag
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-
ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Continuo
- Carus-Verlag
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ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Set of Parts
- Carus-Verlag
-
-
ships within 2-5 working days
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ
- Carus-Verlag
-
-
ships within 2-5 working days
ships within 2-5 working days