Kees Vlak

Kees Vlak composed the 'Christmas Time' suite for band in which he used German, Hungarian and Dutch Christmas carols.

Also Kees Vlak (1938) has apparantly been struck by the treasure of French carols and composed in 1981 the 'Fantasy on French Christmas Songs'.

Tambourkorps.

1981 komponierte Kees Vlak die Suite 'Christmas Time' mit deutschen, ungarischen und niederländischen Weihnachtsliedern.

1981 komponierte Kees Vlak die Suite 'Christmas Time' mit deutschen, ungarischen und niederländischen Weihnachtsliedern.

25 Chorstimmen

This concers a set of 25 SATB parts going with the band edition of An International Christmas. Not fit to be performed a capella.

Eben so variiert, wenigstens hinsichtlich der Her-kunftsländer, ist die Suite für Blasorchester (eventuell mit gemischtem Chor) 'An International Christmas' (1979) in der Kees Vlak italienische und ts...

Eben so variiert, wenigstens hinsichtlich der Her-kunftsländer, ist die Suite für Blasorchester (eventuell mit gemischtem Chor) 'An International Christmas' (1979) in der Kees Vlak italienische und ts...

Chor SSAA - Il Signore è con te - (Frauenchor) - italienischer Text Der Komponist Kees Vlak hat eine Vorliebe für die italienische Sprache, weil wie er sagt 'die Sprache schon in sich selber singt.'...

Die wunderschöne Melodie dieses 'geheimen Liebesliedes' charakterisiert die Gefühle zweier Menschen sehr eindrucksvoll. Das Werk kann auch mit Chor oder Gesangssolisten aufgeführt werden.

Chor TTBB - Il Signore è con te - (Männerchor) - italienischer Text Der Komponist Kees Vlak hat eine Vorliebe für die italienische Sprache, weil wie er sagt 'die Sprache schon in sich selber singt.'...

Chor SATB - Il Signore è con te - (Gemischter Chor) - italienischer Text Der Komponist Kees Vlak hat eine Vorliebe für die italienische Sprache, weil wie er sagt 'die Sprache schon in sich selber sin...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...

These Chorals are chiefly intended as intonation studies. Each Key has its own tuning problems. The chorals can be played both in 3 parts and in 4 parts. They are also outstandingly suitable as a play...