Ken Berg

Here is the timeless Hoagy Carmichael standard in a bluesy treatment for treble voices. Marked with sweet gentility, the authentic southern flavor of the song is unmistakable and the arrangement will...

The rhythmic percussiveness, exciting syncopations, bluesy lines and powerful contrasts of this spiritual all work together to create an impressive showcase for treble choirs through high school and u...

The rhythmic percussiveness, exciting syncopations, bluesy lines and powerful contrasts of this spiritual all work together to create an impressive showcase for treble choirs through high school and u...

Here is a spirited New England folk song arrangement that dates from the colonial era that will have lots of appeal for younger treble choirs and boys' ensembles. The song tells a tale rooted in histo...

Here is a spirited New England folk song arrangement that dates from the colonial era that will have lots of appeal for younger treble choirs and boys' ensembles. The song tells a tale rooted in histo...

The haunting modal quality of this Celtic melody is enriched by the sonorous sounds of French horn in a setting that will feature your treble ensemble at their best! An excellent teaching piece, you w...

The haunting modal quality of this Celtic melody is enriched by the sonorous sounds of French horn in a setting that will feature your treble ensemble at their best! An excellent teaching piece, you w...

This lovely melody probably immigrated to America in the mid-1600s. As is often the case with folk songs, it tells a story of real life and love. What makes this folk song particularly meaningful is t...

The sturdy melody of a favorite Sacred Harp tune is first presented in unison by the choir, decorated by a flute obbligato. Verse 3 is sung by a soloist, while in verse 4 the choir returns with the me...

The sturdy melody of a favorite Sacred Harp tune is first presented in unison by the choir, decorated by a flute obbligato. Verse 3 is sung by a soloist, while in verse 4 the choir returns with the me...

This sprightly English folk tune makes a delightful showcase for unison or optional 3-part voices, with a light and joyful accompaniment and easily learned melody and harmonies. Great for teaching sig...

This sprightly English folk tune makes a delightful showcase for unison or optional 3-part voices, with a light and joyful accompaniment and easily learned melody and harmonies. Great for teaching sig...

The adventurous spirit of the Scottish highlands is colorfully portrayed in this set of pieces by Ken Berg which can all be performed separately or as a group. This rollicking dance for 3-part treble...

Ken Berg's arrangements have been receiving acclaim from choirs and audiences across the nation. This fiery arrangement of the traditional spiritual combines driving rhythms and captivating harmonies...

This arrangement of the traditional spiritual simmers and then comes to a full boil! Your singers will beg to sing it! Available: SSA. Performance Time: Approx. 3:20.

A great spiritual for good middle school choirs! Its format of call-and-response requires a strong soloist (or a string of them), with the choir. Truly inspiring and with great energy! Duration: ca. 3...

Here is an African American Spiritual with a positive message and a vocal range perfect for young singers. Repetition makes this easy to learn and the swing style makes singers and listeners alike smi...

This arrangement of the beloved spiritual makes a great addition to middle school and community treble choirs with its dynamic vocal parts and spirited piano accompaniment. The water image reminds us...

This arrangement of the beloved spiritual makes a great addition to middle school and community treble choirs with its dynamic vocal parts and spirited piano accompaniment. The water image reminds us...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singer...

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singer...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...