Leonardo Miucci

Hummel designed the piano part to be playable independently of the other instruments.

Notes on the performance practice of Leonardo Miucci

Hummel's arrangement of the Piano Concerto in D major, K537, the fifth in the series to appear, was published in 1835. The lead-in (Eingänge) models that he provided are particularly valuable in the c...

Here, for the first time in modern edition, is the fourth in our series of Johann Nepomuk Hummel's superb arrangements of seven of Mozart's piano concertos, the Concerto in C minor, K491.

Hummel's arrangement of the Piano Concerto in D minor, K466, the first of the series to appear, dates from 1827. This concerto was certainly the most popular of all Mozart's piano concertos, both duri...

The present edition includes a separate piano part, in addition to the same part contained within the full score, for two reasons. The first is that of convenience: the greater compactness and smaller...

Here, for the first time in modern edition, is the third in our series of Johann Nepomuk Hummel's superb arrangements of seven of Mozart's piano concertos, the Concerto in C major, K503. Any performer...

Any performer of Mozart's piano concertos must have wondered how those sparsely notated sections would have been realized at the time. No one is better placed to provide an answer than the composer's...

Notes on the performance practice of Leonardo Miucci

Hummel's arrangement of the Piano Concerto in D major, K537, the fifth in the series to appear, was published in 1835. The lead-in (Eingänge) models that he provided are particularly valuable in the c...