Leroy Anderson

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.

Leroy Anderson (1908-1975), ever-popular in the concert hall for his light orchestral pieces, found a great musical ally in the Boston Pops Orchestra under its director, Arthur Fiedler. Premiering man...

Leroy Anderson (1908-1975), ever-popular in the concert hall for his light orchestral pieces, found a great musical ally in the Boston Pops Orchestra under its director, Arthur Fiedler. Premiering man...

A brilliant showpiece for four clarinets in the spirit of Bugler's Holiday. Instrumentation: 2+Picc.2.2.2: 3sax(AAT.opt.): 4.3.3.1: Perc(2): Pno(opt): Str (9-8-7-6-5 in set).

Leroy Anderson's (1908-1975) "Scottish Suite" (1954) originally had four movements: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee", and "Turn Ye To Me". While he conducted th...

Oversized Score! Leroy Anderson's (1908-1975) "Scottish Suite" (1954) originally had four movements: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee", and "Turn Ye To Me". Whil...

Leroy Anderson's (1908-1975) "Scottish Suite" (1954) originally had four movements: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee", and "Turn Ye To Me". While he conducted th...

Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...

SATB choir parts arranged to match both the orchestral version of Leroy Anderson's celebrated A Christmas Festival. Now you can involve your choir as well as your instrumental group in this popular Ch...

Audiences who come to hear your holiday concerts enjoy listening to those melodies that have surrounded them during all of the seasons of their lifetimes. No one has been better able to grasp that com...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Like many of his works, Leroy Anderson (1908-1975) wrote Fiddle-Faddle on a commission from Arthur Fiedler of the Boston Pops Orchestra in 1947. Originally written for string orchestra, the title of t...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

Like Anderson's signature piece Sleigh Ride, Horse and Buggy is another example of his extraordinary ability to sketch a nostalgic scene in sound on a small canvas without a wasted motion. Here, a dif...