Mark Tanner

An original work for flute, cello & piano. Duration: 30 minutes Composer's Note I composed The Planets to be performed during my tenure as Composer in Residence at Chetham's International Piano Summer...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

Creature Comforts is a series of two books for flute and piano, inspired by animals. Book 1: Grades 1 - 3. Book 2: Grades 4 - 6.

Creature Comforts is a series of two books for flute and piano, inspired by animals. Book 1: Grades 1 - 3. Book 2: Grades 4 - 6.

Creature Comforts is a series of two books for flute and piano, inspired by animals. Book 1: Grades 1 - 3. Book 2: Grades 4 - 6.

Creature Comforts is a series of two books for flute and piano, inspired by animals. Book 1: Grades 1 - 3. Book 2: Grades 4 - 6.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

At First Light, composed by Mark Tanner. Taken from 'The Advanced Pianist Book 2', edited by Karen Marshall and Mark Tanner, arranged for piano solo in digital sheet music format.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little furth...

The title of this series, 'Jazz Hands', derives from the familiar exuberant gesturing seen in music theatre. The term 'jazz' has been adopted and adapted in a multiplicity of ways (not unlike 'classic...

The title of this series, 'Jazz Hands', derives from the familiar exuberant gesturing seen in music theatre. The term 'jazz' has been adopted and adapted in a multiplicity of ways, so that it no longe...

11 Jazz Pieces for Classical Players. The title of this series, 'Jazz Hands', derives from the familiar exuberant gesturing seen in music theatre. The term 'jazz' has been adopted and adapted in a mul...

The title of this series, 'Jazz Hands', derives from the familiar exuberant gesturing seen in music theatre. The term 'jazz' has been adopted and adapted in a multiplicity of ways, so that it no longe...

The title of this series, 'Jazz Hands', derives from the familiar exuberant gesturing seen in music theatre. The term 'jazz' has been adopted and adapted in a multiplicity of ways, so that it no longe...