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Martin Baumgartner

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

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The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

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The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

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The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Felix Mendelssohn Bartholdy

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

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Order no.: BTM180
Felix Mendelssohn Bartholdy

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

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Felix Mendelssohn Bartholdy

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

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Felix Mendelssohn Bartholdy

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...

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Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

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Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

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Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

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Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

Renowned as the composer of such operas as La Boheme, Tosca and Madame Butterfly, Giacomo Puccini began his musical career in the composition of church music. Messa di Gloria was written by Puccini at...

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Georg Friedrich Händel
from the Oratorio Messiah (D-Major, original key)

'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...

'Messiah' (HWV 56) is an English-language oratorio composed in 1741 by George Friedrich Händel. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one o...

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Order no.: BTM845