Matthew Harris

für 4-stimmigen Männerchor a cappella

Shakespeare Songs Book 2 is part of a 5-book series. This book contains: Take, O, Take Those Lips Away; Tell Me Where Is Fancy Bred; Under the Greenwood Tree; Come Away, Come Away, Death.

Shakespeare Songs Book 3 is part of a 5-book series of musical settings of Shakespeare. This book contains: It Was a Lover and His Lass; You Spotted Snakes; Sigh No More, Ladies; O Mistress Mine. This...

Featuring piano in a familiar gospel-flavored role, this original for developing groups has been skillfully orchestrated so as to support, but never eclipse, the sound of the soloist. The majority of...

For aspiring jazz pianists who don't know what to play when they're given chord symbols only, this user-friendly, dictionary-style reference guide provides specific chords that can be played for all c...

This book lays the groundwork for strong voicings and voice leading by focusing primarily on II-V-I progressions - the most common chord progression in jazz. There is also a section containing melodie...

This funky rock tune includes conservative ranges, fully written-out rhythm section parts, and repetitive rhythms which makes it playable by advancing groups through professionals. The piano has a sol...

Inspired by the scenic grandeur of California's Monterey Peninsula asseen from the road that hugs the Pacific coastline there, this catchy rockshuffle for advancing groups grooves from start to finish...

A Latin salsa groove with a funky flavor played at 120 BPM. With a very engaging melody line, written solos for alto and trumpet 2, and a building interlude followed by a big modulation, it all fits t...

This fresh setting of Ellington's immortal standard gives it a unique salsa twist! Though the vocalist (or tenor sax) is the primary feature, this chart showcases the whole band's ability to establish...

Shakespeare Songs Book 1 is part of a 5-book series. This book contains: Hark, Hark, The Lark; Full Fathom Five; Who Is Silvia?.

Shakespeare Songs Book 4 is part of a 5-book series of musical settings of Shakespeare. This book contains: Blow, Blow Thou Winter Wind; And Will A' Not Come Again?; When Daffodils Begin to Peer.

For aspiring jazz pianists who don't know what to play when they're given chord symbols only, this user-friendly, dictionary-style reference guide provides specific chords that can be played for all c...

This book lays the groundwork for strong voicings and voice leading by focusing primarily on II-V-I progressions - the most common chord progression in jazz. There is also a section containing melodie...

This funky rock tune includes conservative ranges, fully written-out rhythm section parts, and repetitive rhythms which makes it playable by advancing groups through professionals. The piano has a sol...

This funky rock tune includes conservative ranges, fully written-out rhythm section parts, and repetitive rhythms which makes it playable by advancing groups through professionals. The piano has a sol...

Inspired by the scenic grandeur of California's Monterey Peninsula asseen from the road that hugs the Pacific coastline there, this catchy rockshuffle for advancing groups grooves from start to finish...

Inspired by the scenic grandeur of California's Monterey Peninsula as seen from the road that hugs the Pacific coastline there, this catchy rock shuffle for advancing groups grooves from start to fini...

Radiohead performed '15 Step' in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, a...

Body and Soul is a great jazz standard. An ideal tenor sax ballad feature, the tempo is 98 BPM, and the tenor solo is written with melody and an improv solo. It's lush, with a nice texture with flugel...

Body and Soul is a great jazz standard. An ideal tenor sax ballad feature, the tempo is 98 BPM, and the tenor solo is written with melody and an improv solo. It's lush, with a nice texture with flugel...

Body and Soul is a great jazz standard. An ideal tenor sax ballad feature, the tempo is 98 BPM, and the tenor solo is written with melody and an improv solo. It's lush, with a nice texture with flugel...

Using the text of Octavio Paz, this new piece by Matthew Harris is in three movements: 'Xochipilli, ' 'Ni?o y Trompo' and 'Objetos. ' Each is from Paz's larger poem Lección de cosas, a musing on littl...

How Like a Winter Hath My Absence Been, for SSSAAA a cappella, was Composed by Matthew Harris and is Shakespeare text set to music. For Choral (SSA Div A Cappella).