Maurice Ravel

Maurice Ravel's (1875-1937) Ma mère l'Oye (Mother Goose) draws its inspiration from the fairy tales of Charles Perrault, Madame d'Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the firs...

VALSES NOBLES ET SENTIMENTALES is one of several works by Maurice Ravel (1875-1937) which reflect his fascination with the infectious simplicity of the waltz. Using Franz Schubert's collections of wal...

VALSES NOBLES ET SENTIMENTALES is one of several works by Maurice Ravel (1875-1937) which reflect his fascination with the infectious simplicity of the waltz. Using Franz Schubert's collections of wal...

A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...

Ravel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a "symphonie choregraphique" (choreographic symphony). Ravel began the work, a rom...

Originally written as a suite for solo piano, Maurice Ravel (1875-1937) later orchestrated four movements from Le Tombeau de Couperin in 1919 (Prélude, Forlane, Menuet, and Rigaudon). This orchestral...

Originally written as a suite for solo piano, Maurice Ravel (1875-1937) later orchestrated four movements from Le Tombeau de Couperin in 1919 (Prélude, Forlane, Menuet, and Rigaudon). This orchestral...

Maurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work...

Maurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work...

Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedica...

A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...

Tzigane is a rhapsodic composition by the French composer Maurice Ravel. It was commissioned by and dedicated to Hungarian violinist Jelly d'Arányi, great-niece of the influential violin virtuoso Jose...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Modest Mussorgsky (1839-1881) composed Pictures at an Exhibition for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly...

Originally written as a suite for solo piano, Maurice Ravel (1875-1937) later orchestrated four movements from Le Tombeau de Couperin in 1919 (Prélude, Forlane, Menuet, and Rigaudon). This orchestral...

Click here for the original version of Mussorgsky's Pictures at an Exhibition. Ravel's ingenious compositional interpretation is still the best-known and most independent orchestration of Pictures at...

Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...