Michael Gilbertson

Winner of the 2009 Yale Glee Club Emerging Composers Competition, this elegant work offers an Old English text (Anon., 16th century) with peaceful imagery conveying a sense of compassion, and a haunti...

This middle movement form Three Madrigals After Dowland is rhythmic, dissonant and angry, expressing a release from the pain of death. When paired with the other two 'Weep You No More' and 'Come, Heav...

Written as a dear friend lay dying at a young age, this movement, along with the other two from the set ('Weep You No More' and 'Burst Forth, My Tears') call on the singers to represent their deepest...

Winner of the 2016 AGO/ECS PUBLISHING Award in Choral Composition sponsored by the American Guild of Organists and ECS Publishing. Full of text painting, this dramatic setting is influenced by the lyr...

Here is a spirited setting of an anonymous Christmas text that though contemporary, has a dance-like medieval quality to it. An ideal program opener or concert theme, it requires an excellent pianist....

Here is a spirited setting of an anonymous Christmas text that though contemporary, has a dance-like medieval quality to it. An ideal program opener or concert theme, it requires an excellent pianist....

Written as a solo song for Sesame Street's Big Bird, this arrangement was made for the Lincoln Center Holiday Tree Lighting celebration and warm wishes for joy and peace on Christmas Day and every day...

This Magnificat was commissioned by Choir & Organ Magazine and St. Thomas Fifth Avenue, NYC, for the debut of their newly constructed Miller-Scott organ. The work sets the traditional Magnificat text...