Michael Kube

Franz Schuberts beliebte 'Deutsche Messe' aus dem Jahre 1827 knüpft in ihrer Idee einer deutschsprachigen Ordinariumsvertonung an das 'Deutsche Hochamt' von Michael Haydn an. Aufgrund seiner homophone...

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola, so that the...

With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express...

Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing 'a new crime against harmony and counterpoint'. He wa...

Neue Schubert-Ausgabe. Serie V, Band 6 Die Auseinandersetzung mit der großen sinfonischen Besetzung und Form hat Franz Schubert zeitlebens beschäftigt. Neben den zum Abschluss gebrachten sieben Sinfo...

Neben seinen Sinfonien schrieb Franz Schubert zwischen ca. 1811 und 1819 insgesamt acht selbständig überlieferte, vollendete Konzertouvertüren (zwei davon in zwei Fassungen). Mit Ausnahme der 'Ouvertü...

Volume III/1 of the "New Schubert Edition" presents Franz Schubert's polyphonic songs with orchestra or instrumental ensemble. The instrumentation of the nine compositions is diverse and ranges from m...

Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...

Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...

Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...

Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

The Concerto for Violin and Orchestra No. 1 in G minor, Op. 26 is undoubtedly one of the most brilliant and emotionally charged masterpieces of the Romantic violin repertoire. With this first-class Ur...

Max Bruch's Violin Concerto No. 1 in G minor, Op. 26 is undoubtedly one of the most radiant masterpieces of the Romantic era. Renowned for its poignant melodies, gripping drama, and magnificent orches...

Immerse yourself in one of the most poignant masterpieces of the Romantic repertoire: Max Bruch’s Concerto for Violin and Orchestra No. 1 in G minor, Op. 26, continues to captivate soloists, orchestra...

Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, stands as one of the most radiant and beloved masterpieces in the Romantic concert repertoire. Renowned for its deeply moving melodies, gripping d...

Max Bruch's Concerto for Violin and Orchestra No. 1 in G minor, Op. 26 is undoubtedly one of the most moving and beloved masterpieces in the Romantic concerto repertoire. With its passionate melodies,...

Expansion of the small 'Himmlische' The expansion of the 'Breitkopf Studienpartituren' with their 'heavenly' small blue cover is proceeding with nice regularity. After the Mozart piano concertos in th...

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...