Miguel Etchegoncelay

Gerardo Matos Rodríguez (1897 -1948) was a Uruguayan musician, composer and journalist. In 1916 he composed 'La Cumparsita' which was first played in public in the old Café 'La Giralda' in Montevideo...

Austrian composer, Franz von Suppé (18 April 1819 – 21 May 1895), composed more than thirty operettas as well as dozens of ballets and stage works. Despite this fact, his stage productions remain rath...

Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...

Allerseelen' ('All Souls' Day'), is a song ('Lied') composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss...

Gerardo Matos Rodríguez (1897 -1948) was a Uruguayan musician, composer and journalist. In 1916 he composed 'La Cumparsita' which was first played in public in the old Café 'La Giralda' in Montevideo...

Gerardo Matos Rodríguez (1897 -1948) was a Uruguayan musician, composer and journalist. In 1916 he composed 'La Cumparsita' which was first played in public in the old Café 'La Giralda' in Montevideo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Polovtsian Dances' form an exotic scene at the end of second act of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on...

The 'Polovtsian Dances' form an exotic scene at the end of second act of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on...

The 'Polovtsian Dances' form an exotic scene at the end of second act of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on...

The 'Polovtsian Dances' form an exotic scene at the end of second act of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on...

'Eugen Onegin', the most popular opera of Pyotr Ilych Tschaikowsky (1840-1893), is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin, it is the tale o...

'Eugen Onegin', the most popular opera of Pyotr Ilych Tschaikowsky (1840-1893), is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin, it is the tale o...

'Eugen Onegin', the most popular opera of Pyotr Ilych Tschaikowsky (1840-1893), is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin, it is the tale o...

'Eugen Onegin', the most popular opera of Pyotr Ilych Tschaikowsky (1840-1893), is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin, it is the tale o...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with La canción de la Lola in 1880 and 'La Gran Vía' was to eclip...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with La canción de la Lola in 1880 and 'La Gran Vía' was to eclip...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with La canción de la Lola in 1880 and 'La Gran Vía' was to eclip...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with La canción de la Lola in 1880 and 'La Gran Vía' was to eclip...

Enrique Granados (1867 - 1916) was one of the composers who defined a Spanish nationalistic sound and profoundly affected the style of other Iberian composers. His 12 'Danzas Españolas' are relatively...

Enrique Granados (1867 - 1916) was one of the composers who defined a Spanish nationalistic sound and profoundly affected the style of other Iberian composers. His 12 'Danzas Españolas' are relatively...

Enrique Granados (1867 - 1916) was one of the composers who defined a Spanish nationalistic sound and profoundly affected the style of other Iberian composers. His 12 'Danzas Españolas' are relatively...