Mike Rossi
This piece follows the standard AABA form and should be played half-note equals 104-116. Be careful not to play it too fast as the horns will have difficulty with the melody and interlude.The melody i...
This piece follows the standard AABA form and should be played half-note equals 104-116. Be careful not to play it too fast as the horns will have difficulty with the melody and interlude.The melody i...
- Flexible ensemble (3 Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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While nearly all great solos contain a delicate balance of contrast and continuity in the broader sense, (rhythm, range, harmonic interest & variation, dynamics, pacing, etc.) this concept illustrates...
While nearly all great solos contain a delicate balance of contrast and continuity in the broader sense, (rhythm, range, harmonic interest & variation, dynamics, pacing, etc.) this concept illustrates...
- Improvisation
- Sheet Music
- Advance Music
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Mike Rossi
Uncommon Etudes from Common Scales
Uncommon Etudes from Common Scales will better equip students and challenge improvisers of all levels with etudes that travel through all keys using common chord types. Also, expand your melodic and c...
Uncommon Etudes from Common Scales will better equip students and challenge improvisers of all levels with etudes that travel through all keys using common chord types. Also, expand your melodic and c...
- Improvisation
- Sheet Music
- Advance Music
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Mike Rossi
Uncommon Bebop from Common Bebop Practices & Concepts
Developing a Chromatic Language from Common Bebop Concepts and Scales
Uncommon Bebop from Common Bebop Practices & Concepts demonstrates how to develop a colourful language for improvisation from common bebop practices and devices. Learn how to alter melodic lines beyon...
Uncommon Bebop from Common Bebop Practices & Concepts demonstrates how to develop a colourful language for improvisation from common bebop practices and devices. Learn how to alter melodic lines beyon...
- Improvisation
- Sheet Music
- Advance Music
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As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was comp...
As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was comp...
- Combo (3 Wind Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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Mike Rossi
Contrasts Of Cape Town
This tune's form is easily recognizable as a blues. What makes it fun and interesting to play is how the melodic ideas are contrasted over changing rhythmic feels. The piece starts off with a familiar...
This tune's form is easily recognizable as a blues. What makes it fun and interesting to play is how the melodic ideas are contrasted over changing rhythmic feels. The piece starts off with a familiar...
- Flexible ensemble (3 Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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Mike Rossi
Should I?
This piece originated from my days in Boston in the mid-1980s as a graduate student and as part of the New England Conservatory Honors Jazz Ensemble, which performed music from across many wide rangin...
This piece originated from my days in Boston in the mid-1980s as a graduate student and as part of the New England Conservatory Honors Jazz Ensemble, which performed music from across many wide rangin...
- Flexible ensemble (3 Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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Mike Rossi
Arrivo In Abruzzo
In August of 2010 I 'arrived' in the Abruzzo Region of Italy following an invitation to perform there with a wonderful pianist and grande amico Walter Gaeta who hails from Lanciano. While on tour, Wal...
In August of 2010 I 'arrived' in the Abruzzo Region of Italy following an invitation to perform there with a wonderful pianist and grande amico Walter Gaeta who hails from Lanciano. While on tour, Wal...
- Flexible ensemble (3 Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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Mike Rossi
Buon Giorno Le Marche
Buon Giorno Le Marche was inspired by a number of events that took place in 2011. After a 2010 tour to the Abruzzo region of Italy where my grandfather originates from, I performed a number of concert...
Buon Giorno Le Marche was inspired by a number of events that took place in 2011. After a 2010 tour to the Abruzzo region of Italy where my grandfather originates from, I performed a number of concert...
- Flexible ensemble (3 Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Night Fright! - Ubus...
As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Night Fright! - Ubus...
- Combo (3 Wind Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Yearning - Ukulangaz...
As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Yearning - Ukulangaz...
- Combo (3 Wind Instruments and Rhythm Section)
- Score and Parts
- Advance Music
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Mike Rossi
K. G. Cape Town
In K.G. Cape Town the wind instruments whirl over a pedal, with the drums navigating between solo and accompaniment. The piece is dedicated to Rossi's friend, the drummer Kevin Gibson.
In K.G. Cape Town the wind instruments whirl over a pedal, with the drums navigating between solo and accompaniment. The piece is dedicated to Rossi's friend, the drummer Kevin Gibson.
- Wind Instrument and Rhythm Section
- Score and Parts
- Advance Music
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Mike Rossi
Scungilli
Scungulli was inspired by a popular Italian-American mussels dish. Just like their merging of languages and (food) cultures, jazz scales and fresh harmonic nuances are combined in Scungilli. A medium...
Scungulli was inspired by a popular Italian-American mussels dish. Just like their merging of languages and (food) cultures, jazz scales and fresh harmonic nuances are combined in Scungilli. A medium...
- Wind Instrument and Rhythm Section
- Score and Parts
- Advance Music
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The Forty Club is a blues in D major in 12/8 feel. The special thing about it is that the first and second part respectively can also be played by either violin, oboe, flute, or clarinet.
The Forty Club is a blues in D major in 12/8 feel. The special thing about it is that the first and second part respectively can also be played by either violin, oboe, flute, or clarinet.
- Wind Instrument and Rhythm Section
- Score and Parts
- Advance Music
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- Piano
- Sheet Music
- Edizioni G. Zanibon
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ships within 3-6 working days
ships within 3-6 working days