Miles Davis

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

Written by French composer Leo Delibes in 1874, 'The Maids of Cadiz' was mostly known as a vocal piece before arranger Gil Evans heavily reworked it for inclusion on his 1957 collaboration with trumpe...

Bess, You Is My Woman Now' is a crucial plot point in George and Ira Gershwin's opera 'Porgy and Bess;' it serves as the moment when the title characters admit and embrace their love for one another....

Gil Evans's arrangement of 'Here Come Da Honey Man' is the shortest track on Miles Davis's 1958 version of 'Porgy and Bess.' In the original opera, it serves as a brief but effective introduction of P...

Much like 'Bess, You Is My Woman Now,' 'I Loves You Porgy' serves as a declaration of love between the title characters of the Gershwin/Heyward opera 'Porgy and Bess.' Gil Evans's arrangement for Mile...